fell asleep exhausted in a big empty ash hopper by a cabin to wake up and find himself in a farmyard full of Brits. He stayed where he was until it was hot noontime, when they all left. If they had discovered him they would have shot him dead in the hopper.
He always recalled those two years with a kind of wonder. As when one is granted the life and the task for which one was meant. No matter how odd, no matter how out of the ordinary. When it came to an end he was not surprised. It was too good, too perfect to last.
He wanted then to go west to the Spanish settlements but he had a widowed mother and younger sisters to look after and to provide for. He was not a man to marry without due deliberation. Twice he deliberated too long and the young women returned his letters and married others. By the time he completed his apprenticeship to a printer in Macon his mother had died and both sisters finally married. After Santa Ana had shotup San Antonio and burned the bodies of Travis and his men at the Alamo and then got whipped at San Jacinto, he left for Texas.
The second war was President Tyler’s war with Mexico. By that time Jefferson Kidd was nearly fifty and had long settled into life in San Antonio, where he finally met his wife. He had set up his press in the Plaza de Las Islas, which was also called Main Plaza, on the first floor of a new modern building belonging to a lawyer named Branholme. He found type with tildas and the aigu accent and the upside down exclamation and question marks. He studied Spanish so he could print whatever circulars and broadsheets were needed, many for the Cathedral parish. The San Antonio newspaper fed him a great deal of business, as did the hay market and the saloons.
Often on his long rides about Texas with his newspapers in his portfolio and the portfolio in his saddlebags, the Captain fell into memories of his wife. The first day he ever saw Maria Luisa Betancort y Real. This was how the Captain knew that things of the imagination were often as real as those you laid your hand upon. And as for making her acquaintance, seeing and meeting were two different things. She was of an old Spanish family and formal arrangements had to be made for an introduction. There is a repeat mechanism in the human mind that operates independently of will. The memory brought with it the vacuity of loss, irremediable loss, and so he told himself he would not indulge himself in memory but it could not be helped. She was running down Soledad after the milkman and his buckskin horse. The milkman’s name was Policarpo and he had passed by her family’s house without stopping. Poli! Poli! She lost a shoe running. She had gray eyes. They were the color of rain. Her hair was curly. Her family’s house was the big casa de dueña of the Betancort family at the intersection of Soledad and Dolorosa. The corner of Sad and Lonely.
The Captain walked out of his print shop and took the buckskin’s halter. Poli, stop, he said. A señorita wants you. So he recalled it anyway, against his will, every bead on her sash fringe and her hand on his arm to balance herself as she wormed her thin, small foot back into the shoe and then the warm milk pouring into her jug. The milk smelled like cow, the vanilla scent of the whitebrush that the milk cows loved to eat on the banks of Calamares Creek. Her gray eyes.
So he became a man with a wife and two daughters. He loved print, felt something right about sending out information into the world. Independent of its content. He had a Stanhope press and a shop with nine-foot windows that allowed all the light he needed onto the casings and the plates and layout tables. During the Mexican War they said they needed him anyway, even at his age. He was to organize the communications of Taylor’s forces and was given a small hand press to print orders of the day. He had never seen a hand press so small. He wrote up Taylor’s orders and handed them to Captain Walker of the Texas Rangers