we need to move on. Whatâs the point of feeling bad about things that canât be changed?â To anyone else that would sound like good advice. To me their divorce is a wound that wonât close up the way itâs supposed to, like an itch from a scab that has not quite healed. How can you leave something behind when itâs been hidden so carefully from you that you never even knew what it was until it was too late?
But this is Mami. She is not going to fuss about whatâs okay and not okay to talk about. She laughs out loud. She says, âPeople arenât always as they seem to be. Even your mother.â
Oh, yes? What is Mami going to tell me now?
âOnce when your mother was just a little thing, she decided she was going to run away from home.â
âWhy?â I asked.
âWell, she was bored one afternoon, and your grandmother had scolded her for something sheâd done, or hadnât done. It probably just seemed like a good idea at the time.â
I am forced to smile. Who can imagine a mother doing things like that? âWhere did she go?â
âNot far. The mango tree. She decided to go live in the tree. She left a note on the dining table saying, âI am running away. Donât look for me in the mango tree.â
âWell, of course your grandmother found the note, and she laughed and laughed. âShall I send the gardener up the tree and get her down?â your grandfather asked. âNo,â she said. âLet the child run away for a while.â
âSo we waited, and every time he said, âNow?â sheâd reply, âNo, let her be. Not yet.â
âWell, finally your grandmother let him send the gardener up the tree, and there she was, your mother. She was a bit nervous, because you see it was getting dark, and she knew that mosquitoes start to buzz for peopleâs blood in the evenings. But when your grandfather said, âDid you have a good time?â she just looked at him, determined as anything, and replied, âOh, yes. There are lions and tigers up there! Itâs wonderful.ââ
All around us, the city buzzes. I try to see my mother as a little kid with fancies in her head, and lions and tigers up in the imaginary world of her mango tree. What I cannot understand is why Mami sighs, as if this were a sad, sad story instead of just a funny one. She keeps on walking. She says, âThe next time she ran away was to get married.â
I know that story. It used to be a romantic and mysterious family tale. That was before it became erased by arguments over everything from money to me. âYour grandfather didnât want them to get married, you know.â
I know that too. It seemed no one had wanted them to get married. And if they hadnât, where would I be? I point that out to Mami. She laughs. âYou might be the only good thing that came of all this,â she says.
I object. âThatâs not true. It wasnât always bad. They didnât always fight. It just got that way.â
âDivorce,â says Mami. âNo such thing in my day. The woman just stayed and suffered, thatâs the way it was. Maybe itâs better now.â
The noise picks up around us. Big black songbirds party in the neem and mango trees that line the roads. Kuyil, Mami says they are called. In India, even the birds are loud, all yelling at the same time, so different from the finches in New Jersey that take turns singing
civilized little songs. Looking up to see them, and paying more attention to my thoughts than to the world around me, I donât see the crack in the sidewalk ahead. Where my feet expect flat pavement, slabs of concrete have been ripped out for a construction project. I go sprawling. I try to put my hands out to break the fall, but end up in the dirt anyway.
âAyyo, ayyo!â Mami cries, and rushes to help me.
âIâm all right,â I say. âI tripped.