shut, then pop it back in the bag and shove my chair out from the table. âWish me luck,â I say, and I get to my feet.
âYouâll need it,â Sandy replies, and I walk off into the storm.
6
According to my grandpa, the best way to do something scary is to do it without hesitating. One quick move. He mainly applies his philosophy to removing plasters when youâre a kid, but he says it doesnât matter whether itâs a plaster or jumping out of a planeâitâs all the same. One quick move. Maybe heâs right. Itâs not how I decide to go about this thing with Elsie Green, though. Instead, I pull out the chair beside hers without disturbing her bizarre rapture, then sit down quietly and clear my throat a little bit.
âLook at him!â she says, and at first I think sheâs talking about me, telling me Iâve got a nerve approaching her like this. But the madness that follows soon convinces me Iâm wrong.
âHave you ever seen such unspoiled virtue?â she asks. âAnd such modesty? He makes me want to live a better life. Look at how he blushes. Like the petal of a rose. He makes me want to do something heroic.â
I disguise my voice a little bit, in the hope she wonât know itâs me, and ask her who weâre talking about. I have the idea that if weâre already having a conversation before she realizes who sheâs talking to, she might not just get up and walk off at the first opportunity.
âDrew Thornton,â she says. âSee how his hair cascades to his shoulders? And his eyes! Oh my god.â Then things take a turn for the worse, if you can get your head round that. She starts asking me if I can imagine the ecstasy of seeing such innocence disrobed. Something like that. Something that means can I imagine him in the buff, anyway.
âIâd give up twenty years of my life to bear witness to that,â she says. âWouldnât you?â
âWell . . .â I say, âprobably not, really.â And Iâm finding the whole thing so bizarre, I even forget to sound like someone else. Elsie turns round then and sees who sheâs dealing with.
âYou!â she splutters.
âHi,â I say, but she doesnât reply. She stacks all her cutlery and lunch debris onto her tray and starts getting to her feet. I can tell Iâve only got a few seconds to save things, and I panic. A line I came across earlier, flipping through her book, suddenly appears in the front bit of my brain, and before I even really know whatâs happening I hear it coming out of my mouth.
âI come on an errand . . .â I tell her. Somehow, this seems to slow her down. Sheâs still up on her feet, but her hands pause at the side of the tray and she doesnât walk away.
âSent by whom?â she asks me.
I struggle. Another line pops into my head, but Iâm not even sure where this one came from. I donât know whether itâs from the book or not.
âBy the king . . .â I say.
Not good.
âWhat the
hell
are you talking about?â she says. âAre you mental?â
And there it is: Iâve been called mental by Elsie Green. Me. By her. It doesnât really bear thinking about. Maybe if I hadnât been in such a panic, I would just have said Drew Thornton, and maybe I could have woven something out of that. I try one last desperate line of attack. Off with the sticking plaster.
âIâve just come to apologize, Elsie,â I say. âThatâs all. I really didnât mean to mess up your plans that time. And Iâve brought you a present.â
I take the book out of its bag and lay it down on the table beside her tray.
âVery nice,â she says, disinterestedly. âWhatever youâre after, forget it.â
âIâm not after anything,â I tell her. âJust trying to make amends.â I reach out and flip the