Uncleâs!â
âAnd sheâs banking on the fact that the family wonât consult the police, and let them ask whether anybody saw her, or even circulate a description.â
âHow I wish I could consult the police!â exclaimed Miss Vauregard, in a rage.
âWhich brings us to the summing up.â Gamadge closed the books, and leaned forward to look his client firmly in the eye. âYou donât get all the implications of this affair.â
âDonât we?â
âNo, you do not. Just go over these points with me: Miss Smith canât face court proceedingsâall she is out for, we suppose, is a free gift, made during your uncleâs lifetime. But itâs absurd to suppose that the gift could be a small one. Think of the elaborate preparations, the trouble, the huge risk. She didnât merely have to assemble that costume; she has had to learn a long and difficult part, and act it many hours a day.
âEvery hour of her sojourn in that house, especially since last Sunday, when the family was taken into Mr. Vauregardâs confidence, is fraught with danger to her now. Seven persons, including myself, know the arbor storyâa lot of people to keep a secretâthe whole business may leak out at any time. We have agreed that she wants publicity less even than you do. Why is she staying in that house? To get what she went for, of course; the moment she got it, she would disappear. But how could she be sure of getting it in time to go while the going was good? The more I think of it, the less can I see Miss Smith as a professional swindler, the member of a mob.â
âBut sheâs there, Mr. Gamadge, and it all happened.â
Gamadge sat back, and gave his client an odd, rather helpless look. He said: âYou still donât see the grave implications.â
Miss Vauregard seemed frightened. âThereâs something more to be afraid of? Mr. Gamadgeâsurely she has no motive for harming Uncle?â
âMy point is that we donât know what her motives are, or what she really wants. Look hereâI must see your uncle and Miss Smith, if possible, and talk to the rest of your family, before I take this job.â
Theodore came in. âYoung lady calling in a car,â he said. âWants her aunt. Says not to disturb yourselves, she can wait.â
âThatâs Clara. Sheâs going to drive us down to Traders Row.â Miss Vauregard rose, looking perplexed and uneasy. Gamadge went down with her, picking up his hat from the hall table as they left the house. Theodore saw them out of the front door, but did not immediately close itâhe was evidently much interested in the neat little sedan that waited at the curb.
CHAPTER FOUR
âFrom a Friendâ
T HE OCCUPANT OF THE CAR was a large golden-red chow, which stood on the front seat with his head and shoulders out of the window. A young woman in riding clothes had taken up an easy position on the curb, and leaned against the car beside him, rubbing his head.
âWell, darling,â said Miss Vauregard. âDid you see Ching?â
âYes. Sheâs much worse, Aunt Robbie. Iâm going back tonight. The vet thinks he may have to do it soon.â
âOh dear. Mr. Gamadge, this is my niece, Clara Dawson; and this is Sunâhis grandmother is very old, and sheâs ill. We are all distressed about it.â
âHow do you do, Mr. Gamadge?âsaid Miss Dawson. âAre you going to save Great-uncle Imbrie for us?â
Gamadge had already taken a quick but comprehensive glance at her longish oval face, lightly tanned, with a flush on the cheekbones; at her wide forehead, short nose, and benign gray eyes. A brown riding hat came down low on her dark-brown hair, and a long, russet-brown coat hung loosely over dun-colored breeches and shining brown boots. Miss Dawsonâs figure was still rangy; her riding costume became it.
He thought: