went backstage at the theatre. It was still early in the afternoon and there was no matinee, but some of the actors were on stage rehearsing next weekâs production.
He spotted the person who had first informed him of Patrick Flanaganâs sudden death. Brendan was painting scenery, a fine, realistic bay window with a sea view behind.
âMy dear boy,â the priest said, âIâm so pleased to catch you here.â
âWhat can I do for you, Father?â
âIâve come from the house of poor Patrick Flanagan, rest his soul.â
âWeâre heartbroken, Father. He was a lovely man.â
âIndeed. Would you happen to know if he had a lady friend at all?â
âYou mean Daisy Truelove, Father?â
âI suppose I do, if you say so. Where would I find her?â
âSheâs in the ladiesâ dressing room.â
âAnd how would I coax her out of there?â
âYou could try knocking on the door and saying âA gentleman for Miss Daisyâ.â
He tried, and it worked. She flung open the door, a flurry of fair, curly hair and cheap scent, her eyes shining in anticipation. âHello, darling â oh, my hat.â Sheâd spotted the clerical collar.
âMiss Truelove?â
She nodded.
âThe friend of Patrick Flanagan?â
The pretty face creased at the name. âPoor Patrick, yes.â
âWould you mind telling me if you saw him yesterday evening?â
âWhy, yes, Father. He was in the play, and so am I. Iâm Lola, the gangsterâs moll.â
âAfter it was over?â
âI saw him then, too. Some of us went for a drink at the Star and Garter. Patrick ordered oysters and champagne. He said heâd recently come into some money.â
âOysters and champagne until when?â
âAbout half past eleven.â
âAnd then?â
She hesitated. âDo you really need to know?â
âThink of me as a vessel.â
âA ship, Father?â
He blinked. âNot exactly. More like a receptacle for anything you can tell me in confidence.â
âYou want to hear my confession?â
âNot unless you have something to confess.â
She bit her lip. âWe went on a river steamer.â
âAt night?â
âIt was moored by the bridge. It had fairylights and music and there was dancing. So romantic. He ordered more bubbly and it must have gone to my head. We finally got home about four in the morning. Iâd better say that again.
I
got home about four in the morning. We said goodnight at the door of my lodgings. There was nothing improper, Father. Well, nothing totally improper, if you know what I mean.â
âHow was his mood?â
âHis mood?â
âWas he happy when he left you?â
âOh, dear!â she said, her winsome young features creasing in concern again. âIâm afraid he wasnât. He wanted to come in with me. He offered to take off his shoes and tiptoe upstairs, but I wouldnât risk upsetting the landlady. I pushed him away and shut the door in his face. Do you think thatâs why he killed himself?â
âNo, I donât,â said Father Montgomery. âI donât believe he killed himself at all.â
âYou mean my conscience is clear?â
âI have no way of telling whatâs on your conscience, my dear, but Iâm sure you did the right thing at the end of the evening.â
I nspector Carew was far from happy at being dragged back to 7, Albert Street by a priest heâd never met, but the mention of murder couldnât be ignored.
âThe wife lied to us both,â Father Montgomery said as they were being driven to Teddington. âShe insisted that the shooting was at midnight, but I have a female witness who says Patrick Flanagan was with her in Richmond until four in the morning.â
âSo what?â said the inspector. âEmily Flanagan has her