has felt like a stranger these few days since school finished. Will he begin to talk with her again now?
âIâm going to the paint store,â she says, and waits for a response, but thereâs none. She shouldnât expect one.
She leaves for the dusty road to the paint store.
Cyan
. The word pulls her through the door.
Got anyâ¦
âHi!â Heâs grinning at her.
My Boy
. His voice is everything sheâs imagined â even just with one word, she knows.
âYou work here.â She feels as if her lungs are collapsing. And there it is: a stupid thing to say.
âI work here.â His chuckle is something to curl up in. He never seemed that tall sitting out in the field with his lunch.
âThereâs a HELP WANTED sign out front,â she says, rescuing a bit of bravery.
âYeah,â he says. His eyes are almost black. âThatâs been filled.â He goes to the window, takes down the sign. âYou donât want to work here, do you?â That grinâs back, behind his words. Heâs not taking her seriously.
âI doâ¦â she begins.
âNo,â he says smoothly. âYou donât. I know you donât. Iâve seen you,â he says.
Abi feels embarrassed when he says this.
âYou have better things to do,â he goes on.
How can he say that?
âWhat was it you really came for today?â
For a half moment she canât think what.
âCyan,â she says then. âThe colour. What is it?â
He studies her for a moment, then pulls a paintbrush â an artistâs brush â from the side pocket of his cargo pants and brushes it lightly across her cheekbone. âYou know the colour; itâs in your eyes.â
Itâs like one of those old movies that Dad leaves on early in the morning: sheâs the weak-kneed heroine and she has to reach out for the edge of the counter. Into her head flashes an image of Mary Rhodes. Sheâd appreciate this. She probably stays up late to see those old things, or maybe she has her own shelf-full to watch over and over, says the lines with the actors. But whoâs mush-kneed-Abi to laugh at her?
He studies the soft hair of the brush for a moment before putting it away. âSame eye colour as Dyl,â he says, reaching into another pocket for his wallet. He flips it open, pulls out a photograph, soft at the edges and missing a corner. âThis is Dyl,â he says. Abi feels his eyes on her as she takes the picture: a very young child. âMy son,â he adds.
I still donât know your name.
âHe lives with me and my mother.â He plucks the photo from her fingers, slips it back into place, wallet away. âHis mother left.â He gazes out the window momentarily, then looks at her squarely.
I know how that feels.
But she says nothing, just looks back at him and feels miserable. Is this what he knows about her? Is this what heâs observed at her house? God-Rest-Her-Feet leaving, and her dad never leaving, and Abi wanting to?
âMaybe someday youâll come out of that house of yours and meet with me in the blackberry patch for lunch.â The laughter has returned to his voice.
She nods dumbly.
A man â a Hood, no doubt â calls from a back room. âJude! If you have a minute!â
âComing!â
My Boy
answers. He whispers to Abi. âThatâs my boss. Thinks Iâm going to take over here someday, and manage the place.â He reaches for the artistâs brush again, holds it in front of her. âBut Iâve got dreams.â He turns and disappears into the back room.
Abi leaves quickly and wishes there was somewhere she could go and shout the name jude. âJude,â she whispers as she waits between trucks to cross the road. âJude.â Deep inside her thereâs a feeling, fuzzier and pinker than sheâs ever felt.
And a son. A son he takes care of.