reading. Like it isnât. The dunk felt like a leather
study in space, and someone thinking
how
inside him,
and a perfected body in a leather chair wondering just
how high he can jump toward heaven. A leap sometimes
occurs within an animal, the dunk felt that happen
within him. He landed sure on his feet again and then
he was wholly himself. A joint so surely in its socket,
the whole city could go walking on it. All the rain
comes down at once in a single bounding drop,
and the wells of the countryside look up at once full,
and no open mouth is thirsty, and every mouth is open.
A great heavy body it weighed the dunk down. The dunk
and the moon pulled it up like the sea. The crowd of us
shouted his name to dunk him deep into himself. More
than half-moons in his fingertips, and rising through the air
in a loud round translation,
and the air right then breathing him back.
Was the only complete thing in the world, was the dunk.
Well that and everyone who watched it.
Goosebumps even on the ball. The ball spinning like
bodies could live on it, and whatever led up to the bodies
too. It stood up too fast, it got taller and taller, its women get
bellies like basketballs. A woman dunking! Thatâll be the day.
Yet here I am sailing over your heads, and then,
with the sound, slamming into them.
The Third Power
Little boy he is learning to see
Magic Eyes. Little boy hidden objects
leap out their way at him. He covers
his walls with the pink and red posters,
and pops his black eyes at them, and sees
all the objects that live in the sun, objects
so tan they stand out against sand. More
than words the boy wants to see something
undress, even if only a lake and a sailboat.
They jump out and he longs to jump inâ
he would cannonball into that lake and
just float. Here he is in a room that smells
all locked up, like men and the imprison-
ment of lizards, and he stares at Magic Eyes,
in fact he stares so hard it hurts, and says
oh my God a heart, and oh my God a pair
of lips, because what is 3-D after all? When
the air in the room becomes apparent,
and carves itself out around a her or a him,
and now little boyâs father he bangs down
the door, and strides in and stares so hard
that he hurts, says, âWe had 3-D in my day
and we called it AMERICA! We had 3-D
in my day and we called it bare bosoms!â
but the pictures refuse to open for him
or show even their innocent parts:
the dog and the sphere and the American
flag will never undress
for the first time again.
He slams the door behind him, and thinks
getting into heaven is hard. It is the cube
that does not open. It is the cube that is only
to look at, but look. There behind that door, look
there. There the cube is, leaping out of the square.
Natural Dialogue Grows in the Woods
Along with the poison berries,
and itâs your job in this life to spit both out,
and spit both out if you want to live. Listen
and learn to me and the woods: the Ummm
of the little crickets. The fresh and slangy
crows, who end every last word with the letter
A
. Rats, say the mice in the woods, and Whatâs
the fuckin difference, Dad? My PawPaw
always says, says the voice inside the fruit tree.
Good ears and great ears and even uncanny
are trembling here in the woods, perked every-
where are ears for speech as it is spoke. Stiffies
of dialogue circle the trees and look for holes
in the conversation, and wait to get Red Riding
Hood as soon as she leaves the wild.
She says she never will, and stretches the word
giiiiiiiiiiiiiiiiiiiiiiiiiiiirl so long that we all become
women during it. The woodsman lives here too,
and he stretches the word maaaaaaaaaaaaaaaan
so long that we all die out before heâs done.
Death is so random, deep here in the woods.
In the woods the eternal Daaaaaamn and Gonna,
and the small exact birds saying What it is. Like
like like from morning to night, till even the night
is like the