little silver plate. I knock.
âLain, is that you?â calls a deep voice. âCome in.â
I enter.
One wall of the office is dominated by an enormous picture window overlooking the city. Morning sunlight pours in, illuminating bare oyster-white walls and a thick cream-colored carpet. The lack of décor gives the room a stark simplicity. There are no paintings or plants, just a blank white cube broken only by the window and a few pieces of glossy black furniture. My feet leave faint impressions in the thick carpet, as if Iâm walking in fresh snow.
Dr. Emmanuel Swanâdirector of the Institute for Ethics in Neurotechnology, and my legal guardian since my fatherâs deathâsits behind a hulking desk of lustrous dark wood. Though heâs only in his fifties, his hair is already white. Delicate webs of crowâs-feet spread outward from the corners of his gray eyes, like wrinkles in fine, silky paper. He smiles and folds his large, veined hands on the table. âHave a seat.â
I sit in the black leather chair in front of his desk and fold my own hands in my lap. Iâve known Dr. Swan for years. Even before he became my guardian, he was a close friend of my father, so heâs never been a stranger. And yet, during our routine meetings, I always feel a need to be formal.
Of course, heâs in charge of my training, too. Heâs the one with the power to decide whether I have what it takes to become a full-fledged Mindwalker.
âAnything to drink?â he asks.
âNo thank you.â
He pours himself a glass of water from a silver decanter on the desk. His hands look like they should be cast in bronze. Theyâre animated sculptures, weathered and elegant, with prominent joints and knuckles. He starts with the ritual questions. âHow is school? Keeping up your grades?â
I nod. âMy GPA is 4.0.â
âVery good. And your training?â
âItâs going well.â
He raises his bushy white eyebrows and pushes his lips into a shape that seems to imply a question.
I catch myself fidgeting and stop. âJudith says Iâm making progress.â
He emits a low, noncommittal hum. âYouâve been practicing your compartmentalization technique?â
I nod. âEvery night.â Itâs part of the training all Mindwalker protégés receive to cope with the psychological trauma of their work. It involves a series of complex visualization exercisesâa process of locking memories away in a tiny corner of our minds, where they wonât interfere with our day-to-day lives. I use an image of a wooden treasure chest hidden deep in a stone labyrinth.
Even with all these coping techniques, I still have flashbacks. But Iâm not about to admit that.
He taps his thumbs together. âLain â¦â He pauses, clearing his throat. âYouâre very talented. Very bright. But you are shouldering a lot of burdens. Especially for one so young.â
I tense. âAll Mindwalkers start training young,â I point out. Itâs necessary to form the specialized neural connections whileour brains are still developing. âIanâs only a year older than I am.â
âTrue. But, as Iâm sure youâre aware, most initiates choose to drop out within the first year. Itâs a lot for a childâs mind to bear.â
My hands are balled into tight fists in my lap. I resist the urge to say,
Iâm not a child.
He continues: âYour father would be very proud of you. But he also wouldnât want you to endanger your own welfare.â
My nails dig into my palms, but I manage to keep my expression composed. I know whatâs going on here. The cracks in my psyche are starting to show, and heâs worried about my mental stability. I canât blame him, really. After Fatherâs death, I plunged into a deep depression that lasted for months. But it was my training, my purpose, that gave me the
Dawne Prochilo, Dingbat Publishing, Kate Tate