she opens her mouth, only a faint squeak comes out. She looks up and locks gazes with a girl on the other side of the circle. The girl smiles and nods encouragement.
Pop.
I keep going. I move through a saga of misery, memory by memory, until at last, every trace of the trauma is gone, wiped neatly away.
When Iâm finished, I remove my helmet, then Debraâs. She blinks soft, unfocused eyes. A tiny crease appears between her eyebrows. Slowly, she stretches, like someone awakening from a long sleep. She sits up in the reclining chair, then slumps forward,her long black hair falling around her face like a curtain. One pale, trembling hand lifts to touch her forehead. âWhere am I?â Her voice is thick, slurred.
âYouâre in a medical facility at IFENâthe Institute for Ethics in Neurotechnology.â
âAm I⦠hurt?â
âNo. Youâve just had a procedure, but youâre fine.â
She starts to stand. I place a hand on her shoulder and gently push her back down. The furrow between her eyebrows deepens. âI feel weird.â
âThatâs normal. In a few hours, youâll feel like yourself again.â
âWhat will that feel like?â
The question startles me. I donât know how to respond. âYour mother is in the waiting room,â I say instead. âBy now, one of the session monitors has probably notified her. Would you like to go see her?â
Thereâs a pause. Then Debra gives a small nod.
I help her into a wheelchairâstandard procedure, since a client is usually groggy and light-headed after the final sessionâand roll her into the waiting room, which is the same clean white as the Immersion Lab, its edge ringed with black chairs. Debraâs mother stands, clutching her purse, her eyes wide and anxious. âDebra?â Her voice quivers. âAre you all right?â
âI donât know.â Debra sits in the wheelchair, shoulders hunched, looking as frail as a lily. âI guess.â
Her motherâs eyes fill with tears. She collapses against Debra and hugs her tight. Debra places a hand gingerly on hermotherâs back and looks at me, confusion written on her face. I smile. âDonât worry. Sheâs just relieved.â
Her mother beams at me. âThank you. Thank you so much.â She draws back, clutching Debraâs hands, blinking her moist brown eyes. âEverything will be fine now. Youâll see.â
Debraâs mother fusses over her, smoothing her hair and clothes, but Debra barely seems to notice. She keeps staring at me.
The first few hours after the procedure tend to be foggy in a clientâs memory. In a little while, she probably wonât remember this. Or me. But in her eyes, I can read a silent question:
What did you do to me?
I look away.
Judith pokes her head through the waiting room door. âLain? Dr. Swan wants to see you.â
âNow?â I glance at Debra and her mother. Normally, Dr. Swan doesnât summon me while Iâm with clients. âCan it wait?â
âIâll take care of them,â Judith says. âDonât worry.â
I walk down the hall, toward the elevator. Everything in IFEN headquarters is silver and white. The entire building was designed to create an atmosphere of cleanliness and serenity. There are small touchesâpotted tropical flowers, screens showing moving art of landscapes and seascapesâthat keep it from feeling too sterile. But the overall impression is one of ruthless competence.
This is a place filled with highly trained people who know what theyâre doing,
it seems to say.
Weâre in charge, and itâs natural that weâre in charge.
Dr. Swanâs office is on the top floor, just beneath the solid tip of the pyramid that is IFEN headquarters. The doors of theelevator slide open to reveal another door, a huge one of solid mahogany, with his name and title engraved on a
Dawne Prochilo, Dingbat Publishing, Kate Tate