returned, and he couldnât wait to get back on stage to spew all over Martha again.
He invited Gus to the opening night of Waiting for Godot , even though he knew his father would be bored out of his mind. The next day, when Milo showed the old man the good reviews, Gus shrugged and ate another sausage.
While waiting for the receptionist to notice him, Milo pretends to text on the busted cell. She takes five hundred more calls before looking at him. âAre you waiting for someone?â she inquires. She must be in her forties but has a mouth full of braces.
âChristopher Wedderspoon, please.â
âIs he expecting you?â
âActually, no, Iâm just passing through. My plane was delayed and I thought Iâd take the opportunity to go over a portfolio with him.â Milo holds up the briefcase he uses for corporate-type auditions.
âYour name, please?â
âMilo Krupi.â
She presses buttons and speaks into her headset. âMilo Crappyâs here to go over a portfolio. He doesnât have an appointment.â She pauses, squinting at Milo, then repeats, âMilo Crappy.â
âKrupi,â Milo interjects. âWe used to be neighbours.â
âHe says you used to be neighbours.â Because sheâs staring at him while speaking into the headset Milo assumes sheâs addressing him.
âThatâs right,â he says, âwe were neighbours. Actually, I still live beside his wife.â
âMr. Wedderspoon will be with you shortly. Have a seat.â
âThank you.â Does this mean he will he be forced to âhave it outâ with Christopher right here, amidst the teal furnishings of the waiting room? Sitting on a stuffed chair, he canât help but notice the receptionist looking at his shoes. Theyâre Gusâs shoes, a little small and in need of polish. Gus took great pride in polishing his shoes. They are the wrong colour for the suit. He pretends to text again while rehearsing in his head the heart-rending speech that will convince Christopher to return home.
â¨
hristopher slumps on a stool at the Quick Fixins counter with his head in his hands. It would have been preferable to have this heart-to-heart in a private office with a window overlooking the city. Milo could have paced as he explained the gravity of his mission, gazing sorrowfully out the window as he searched for the right words. But Christopher appears to have come down in the world and has only a cubicle. Milo isnât sure what his job is. Christopher used to manage other peopleâs money, or lose it, which may be why he is now in a cubicle.
âI will always support them,â he says.
âNo one doubts that.â
âYou swear she doesnât know youâre here?â
âScoutâs honour.â Christopher was a scout leader so Milo feels this oath is appropriate. Scouts had been an escape for Christopher as a kid and heâd hoped it would be the same for Robertson. But Robertson never moved with the crowd, instead lingered over anything that caught his interest.
âShe thinks he can be normal,â Christopher says. âI know he canât.â
âDonât you think normal is overrated? I mean, who wants to be normal? Robertson has a concentration, an intensity of thought, a single-mindedness, a ... â The words Milo so carefully chose to describe the wonder of Robertson escape him. He is drying , as they say in the theatre, and there is no prompter to feed him his line. âWhat I mean is,â he stammers, âhe has a tenacity, a ⦠a directness. He canât lie. How many people do you know who canât lie? Heâs incapable of dissembling.â Dissembling is a word heâd thought would impress, but Christopher remains inert. âRobertson is unique,â Milo sums up. âNo one thinks like he does. I think heâs quite noble.â
âHe canât control