married to a man who only likes men and heâs off now picnicking with his boy friends. Iâm thirty years older than you, but at least I have always preferred women and Iâve fallen in love with you and we could still have a few good years together before the time comes when you want to leave me for a younger man.â All I said was, âHe probably misses the country â and the riding.â
âI wish you were right, but itâs really worse than that.â
Had she, after all, realized the nature of her problem? I waited for her to explain her meaning. It was a little like a novel which hesitates on the verge between comedy and tragedy. If she recognized the situation it would be a tragedy; if she were ignorant it was a comedy, even a farce â a situation between an immature girl too innocent to understand and a man too old to have the courage to explain. I suppose I have a taste for tragedy. I hoped for that.
She said, âWe didnât really know each other much before we came here. You know, weekend parties and the odd theatre â and riding, of course.â
I wasnât sure where her remarks tended. I said, âThese occasions are nearly always a strain. You are picked out of ordinary life and dumped together after an elaborate ceremony â almost like two animals shut in a cage who havenât seen each other before.â
âAnd now he sees me he doesnât like me.â
âYou are exaggerating.â
âNo.â She added, with anxiety, âI wonât shock you, will I, if I tell you things? Thereâs nobody else I can talk to.â
âAfter fifty years Iâm guaranteed shockproof.â
âWe havenât made love â properly, once, since we came here.â
âWhat do you mean â properly?â
âHe starts, but he doesnât finish; nothing happens.â
I said uncomfortably, âRochester wrote about that. A poem called âThe Imperfect Enjoymentâ.â I donât know why I gave her this shady piece of literary information; perhaps, like a psychoanalyst, I wanted her not to feel alone with her problem. âIt can happen to anybody.â
âBut itâs not his fault,â she said. âItâs mine. I know it is. He just doesnât like my body.â
âSurely itâs a bit late to discover that.â
âHeâd never seen me naked till I came here,â she said with the candour of a girl to her doctor â that was all I meant to her, I felt sure.
âThere are nearly always first-night nerves. And then if a man worries (you must realize how much it hurts his pride) he can get stuck in the situation for days â weeks even.â I began to tell her about a mistress I once had â we stayed together a very long time and yet for two weeks at the beginning I could do nothing at all. âI was too anxious to succeed.â
âThatâs different. You didnât hate the sight of her.â
âYou are making such a lot of so little.â
âThatâs what he tries to do,â she said with sudden schoolgirl coarseness and giggled miserably.
âWe went away for a week and changed the scene, and everything after that was all right. For ten days it had been a flop, and for ten years afterwards we were happy. Very happy. But worry can get established in a room, in the colour of the curtains â it can hang itself up on coat-hangers; you find it smoking away in the ashtray marked Pernod, and when you look at the bed it pokes its head out from underneath like the toes of a pair of shoes.â Again I repeated the only charm I could think of. âTake him home.â
âIt wouldnât make any difference. Heâs disappointed, thatâs all it is.â She looked down at her long black legs; I followed the course of her eyes because I was finding now that I really wanted her and she said with sincere conviction,