awaiting the moment of awakening. Every portrait produces an impression of flatness and debility. Here, one feels, the nature of the real woman has still to be revealed; perhaps the true character of the sitter has never been given the chance to develop along its own lines. The visage is that of one whose spirit and senses lie dormant; the woman within has yet to find expression without. What we see is the portrait of an attractive schoolgirl.
Verbal accounts of the young Queen serve only to confirm the impression of unawakened and incomplete maidenhood, for everyone seems agreed to affirm Maryâs perfection, to praise her deportment, industry and earnest endeavour, just as if she were the top girl of her class. We are told that she was studious, amiable and pleasantly sociable, pretty-mannered and pious, that she excelled in the practice of the arts and sports of the day and yet showed no predilection for any art or sport in particular, nor any special talent one way or the other. Good, obedient, she was a model of the virtues expected of a kingâs bride in the making. Always it is her social and courtly virtues that her contemporaries belaud, which seems to point to the fact that the queenly characteristics were developed in Mary before the womanly ones. Her true personality was, for the moment, eclipsed behind a facade of decorum, merely because, so far, it had not been allowed to blossom. For many years to come her dignified behaviour and general culture successfully hid the passionate nature of this lovely princess; no one could guess what the soul of the woman was capable of; it lay quiet and untroubled within her, unmoved and untouched. Smooth and mute is the brow, friendly and sweet the mouth; the dark eyes are pensive, sly and searching, eyes that have looked forth into the world but have not yet looked deep into her own heart. Her contemporaries and Mary herself have no inkling of what is in store for her; they know nothing of the heritage in her own blood. She who was lifeâs spoilt darling, who had experienced nothing but happiness, could not foresee the dangers lying in the path of her career. Passion is needed in order that a woman may discover herself, in order that her character may expand to its true proportions; love and sorrow are needed for it to find its own magnitude.
Mary Stuart had created so powerful an impression upon all who came in contact with her, and was so universal a favourite at court, that it was agreed to celebrate her nuptials earlier than had been anticipated. Throughout her life Maryâs hour seemed always to be in advance of the solar time, and she invariably was called upon to do things earlier than any others of her own age. The Dauphin, her future husband as by treaty arranged, was barely fourteen, and in addition he suffered from all-round debility. But politics cannot afford to wait upon nature. The French court was suspiciously eager to get on with the job, to celebrate the marriage, especially since it knew from the royal physicians that young Francisâ health was undermined, that, indeed, the boy was dangerously ill. The important thing for France, however, was to make sure of the Scottish crown, and this could be accomplished only if the wedding took place. With all possible speed, therefore, the two children were brought to the altar. In the marriage procuration, which was drawn up by the French and the Scottish parliamentary envoys acting in concert, the Dauphin was to receive the âcrown matrimonialâ. Simultaneously with the signing of the public marriage contract, Maryâs relatives, the Guises, made the fifteen-year-old girl sign three other, separate and secret deeds which rendered the public guarantees worthless, and which remained hidden from the Scottish parliament. Herein she pledged herself, in the event of her premature death, or if she died without issue, to bequeath her country as a free gift to Franceâas if it were her own
Janwillem van de Wetering