a good number of men and women of all ages were dancing tango figures, following the rhythm carefully and with purpose. For a moment, as she stood watching them, enthralled, she forgot why sheâd come. When the music stopped, a Junoesque brunette wearing a tight bright red dress clapped her hands. âBravo! Bravo! Iâve never seen you do such a good job!â
The lights came on. And that was when Margherita saw her father.
âPapa!â
Armando glared at her as she rushed over.
âI mean . . . Armando!â Her father gave her a big hug that in no time became a âclose embraceâ: cheek to cheek with his daughter, he improvised a couple of tango steps, forcing her to follow him whether she wanted to or not.
âMy little girl! Itâs wonderful to see you . . . Ocho adelante! â he said.
Armando swung her in a figure eight.
âPapa . . . I mean Armando, you know how much I love you, but . . .â
âAnd I love you, too, chica ! Giro! â
As her father swiveled around, she was forced to follow him.
âSo now itâs the tango? The last time I saw you it was an easel and paintbrush . . .â
âToo static for me. Canât you see how much better it is to dance? Rhythm, allure, sensuousness . . . parada! â
Armando interrupted her step, pulling her toward him, which made Margherita lose her balance.
âCanât you ever be serious?â
âIâm very serious! I am a true tanguero  . . . Gancho! â
This was followed by a backward kick with the heel raised.
âArmando!â
âGrand finale with casché !â
He wrapped one of his legs around hers, lowered his arm to encircle her waist, and bent forward so that she curved backward.
â Olé! â Armando concluded, his eyes looking straight into his daughterâs.
Giulia walked up to them, smiling. âA new student?â she asked.
Armando shook his head.
âNo, sheâs a city girl, just passing through.â Then, as he continued to gaze at his daughter: âMargy, this is Giulia, my gorgeous tango instructor, as well as a new member of Roccafittaâs culture and tourism association. She is the one who has made me see that the tango is mystery, complexity, joy and sadness, communication and solitude . . . Giulia is very calienteâ â
Margherita, somewhat embarrassed, interrupted him.
âI see youâve already gotten to know him . . .â She held out her hand and added, âIâm Margherita, his daughter. Itâs a pleasure to meet you.â
For the second time that day, Armando gave her a disapproving look. âDid you really have to say that?â
Margherita shook her head. âPapa!â
Giulia smiled in turn.
âArmando is a whirlwind, I wish there were more people like him! The world would be so much more fun,â she said as she shook Margheritaâs hand. âItâs a pleasure, and if youstop and stay awhile, I hope youâll join us, I suspect you may have the tango in your blood . . .â
âJust like her father!â Armando remarked, smiling, and before she could answer him, he kissed Giuliaâs hand gallantly, then took his daughter by the arm and steered her toward the exit.
On their way home, Armando launched into passionate, relentless praise for the tango and its magic.
âYou see, my little one, thereâs something primordial about the tango. As Borges would say, it evokes regret for lives not lived; in the tango, music and dance become one in an irresistible whirlwind . . .â
All at once, Armando realized that Margherita hadnât said a word. He stopped talking abruptly and looked at her carefully. In an instant he knew there was something wrong. As they reached the gate in front of the house, he stopped.
âWhat is it, kiddo? Whatâs
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