canât understand it.â
âWhose blood was it, Susan? What did you do to them?â
âIt was so
confusing
. . . I could see myself doing it but it was like I was watching somebody else.â
âWhose blood was it, Susan?â
She closed her eyes and didnât answer. Frank waited for a long moment and then he said, âSusanâI need to know who that blood came from.â
âWhy?â she said, without opening her eyes. âWhat difference does it make?â
âIt makes a difference because anybody who lost that much blood is most likely dead.â
âThatâs what those people are
for
, isnât it?â
âI donât understand.â
âThatâs what those people are born for . . . to give us their blood.â
Frank said, âOpen your eyes.â
âWhy?â
âI want you to look at me when youâre talking to me. Or are you scared to?â
âIâm not scared of anything.â
âI think you are. I think youâre scared of yourself. I think youâre scared of what you did.â
âI drank blood, all right? I needed to.â
â
Why
did you need to?â
She suddenly opened her eyes, and exploded in fury. â
I was burning! I was burning all over! I was on fire and that was the only way to stop it!
â
âSo you had to drink blood, to stop the burning?â
âYou donât understand! My whole body was on fire! I would have died without it!â
âSo whose blood was it, Susan?â
âDonât you get it,
I would have died!
â
She stared at him fiercely, but her ferocity didnât last for very long. He sat back and said nothing, and she began to relax. After a few moments she closed her eyes again and lay on her pillow utterly still, as if she were sleeping, or dead. Frank waited. He was tempted to ask her again whose blood it was, but he had the feeling that she was going to tell him, if he gave her enough time.
Eventually, she spoke, in a very flat, detached voice. âLook at me,â she said. âIâm opening my bedroom door.â
She paused for a moment, licking her lips, as if they were dry.
âWhere are you now?â Frank asked her.
âIâm in the corridor. The sunlightâs falling across the corridor
this
wayââ indicating a diagonal slant. âItâs falling right on the poster of Jim Morrison with gardenias in his hair. I can smell coffee . . . and I can hear Prissy in the kitchen singing
Man on the Moon
. â
Do you believe . . . they put a man on the moon
?
Do you believe . . . thereâs nothing up their sleeve?
ââ
Another pause. After a while, Frank asked, âNow what are you doing?â
âIâm walking into the kitchen and Prissy turns around to me and smiles. Thatâs the last time she smiles at me. Thatâs the very last time.
Tatal nostru. Carele esti in ceruri
.â
âWhat does that mean, Susan?â
âI feel like Iâm burning. Thereâs so much
sunlight
. The whole kitchen is filled with sunlight and it
burns
! Itâs like Iâve had acid poured all over me. Iâm burning all over, even my feet. Oh God, Iâm going to die. I start screaming at Prissy but Prissy doesnât understand whatâs wrong with me. She starts screaming too. Weâre both screaming but
sheâs
screaming because sheâs frightened while
Iâm
screaming because Iâm on fire.â
Susanâs hand scrabbled sideways, touching Frankâs arm. âI pick up the knife . . .
the knife
. . . thereâs a big knife lying on the counter and I pick it up. I donât hesitate. I canât hesitate, Iâm on fire. I cut her like this, across her throat. Thereâs blood spraying everywhere, all over the kitchen. All up the blinds and over the draining board. Blood, blessed blood.
âPrissy falls to the floor with her arms waving and her legs