pockets and his head down.
Jess Polansky wiped her eyes with her hand and looked at me suspiciously.
âWhat does he meanâyouâre going to look for Ray?â
âJust that. Iâm a private investigator; Iâve found missing people before, quite a few.â
âRayâs not really missing though, is he? I mean, Mr Guthrie says someone saw him last week. Thatâs not missing.â
âNo. Youâre half-right. Thereâs missing and missing. Look, can we talk now? Would you like a drink or something?â
She shrugged. âAll right. Iâm on my lunch break. I might as well have a drink.â
She pulled on one of the mooring lines that held the
Satisfaction;
muscle swelled and sinew tensed in her slim arm. She let the rope go and moved down the jetty.
âRay loves that boat,â she said.
âYeah. How old are you, Jess?â
âNineteen.â
âWhat dâyou do?â
âI work part-time for Mr Guthrie at the marina, and I teach water-skiing.â
That explained the muscle and sinew. âYou must be goodâRay any good at it?â
We climbed steps to the walkway that took us past the boatshed. I paused and looked back down at the boats gently pulling at their ropes, rising and falling in the placid water.
Too dull for a spirited youth?
I thought. Then I remembered the order on the boat, the finely tuned engines and the anthology of sea verse. Jess Polansky moved ahead of me, exuding health and strength and I decided that Ray Guthrie couldnât have been bored here. She didnât answer my question until we were walking through the car park.
âRayâs good at everything.â Her look challenged me to make something of it.
We went into the beer garden and I asked her what she wanted, expecting her to go for something soft in keeping with the athletic image.
âGin and tonic, please.â
I got one of those and a glass of white wine for me, and carried the drinks over to where she was sitting. The stone wall she sat on was the one in the photograph. I handed her the glass.
âYou and Ray come here much?â
âHardly ever; why?â
âHeâs got a photo of you sitting on that wall.â
âOh, I remember that. Iâd got third in the state slalom titles.â She gulped down a good deal of her drink, inexpertly. âRay didnât drink much, neither do I.â
The tenses were becoming confused, as if she was unconsciously getting ready to put him in the past.
âHave you got any idea why he took off, Jess? Or why heâd be drunk in a Kings Cross pub?â
âIâve been trying to think. He didnât just vanish overnight, you know. He was sort of around less, always pissingoff somewhere. This went on for a while.
Then
he was just ⦠gone.â
âHe didnât explain? Say what was on his mind?â
She shook her head. âNot a great talker, Ray. Quiet bloke. Terrific bloke.â
It was another weighty tribute to him and I let it have its moment. I drank some wine and thought of Helen Broadway and her one smoke a day. I couldâve done with one now to use as Iâd used them for twenty yearsâto help the wandering mind to focus. But Iâd decided some time back that a focusing mind was no good without functioning lungs.
âWhat was the set up between you and Ray, Jess? Any plans?â
She had dark eyes, slightly slanted, a straight nose and a firm, well-shaped mouth. When she smiled the slant of the eyes was accentuated and her face became lively and optimistic. She smiled now.
âPeople donât make
plans
anymore. They just live day to day or look, say, a few months ahead. Donât you know that?â
âI hadnât thought about it. Sorry for the personal question, then. This might be anotherâdid Ray have any unusual visitors, or mention meeting anyone out of the ordinary?â
The smile went and with it the optimism.