now rich and poor are equal to me. I get no compensation either way, except for the satisfaction of restoring the balance and doing my job well. Iâd like to keep it that way.â
âThere should be some reward for this,â he said.
âPeople leave gifts,â I told him. âSometimes money, sometimes food. Mostly on my doorstep or with my mother. I never know who they are from but I appreciate it always.â
I opened the large chest and took out the statue of Barong Bali. It was about a foot tall, but size didnât matter. âPlease put him under the tree.â
Eyang Ida had loved the tree. It grew with her as she aged, and I could feel traces of her in the treeâs branches. The treeâs spirit loved her. It would help us.
Jim set the statue by the tree roots. I slipped my shoes and socks off and took my offering out of the chest. I had made it in the house before I left. Jim regarded the banana leaf twisted into a small basket, the elaborate palm leaf tray, and the arrangement of flowers and fruit, and raised his eyebrows. I added a donut to it, took it to the statue, knelt, and placed it at Barong Baliâs feet. Jim knelt next to me.
I sat still, sinking into meditation, and let my magic permeate the lawn. It flowed through the soil, touched the tree roots, and spiraled up the trunk into its leaves. A subtle change came over the magic emanating from the tree. The spirits noticed Jim and pondered his connection to me. If there was enough of a bond, they would recognize it. Trouble was, I wasnât sure if there was enough of a bond.
âSo is the sugar-glazed donut a traditional Indonesian offering?â he asked.
Smart-ass. âNo, the traditional offering calls for cakes. In this case Iâm offering something that I like very much. The effort in making canang, the offering, is what counts.â
âWhy donât you just do your sticky-note thing?â
The last time we went into a house corrupted by magic, I had written protection kanji on a sticky note and stuck it to his chest.
âBecause this dark magic is of Indonesian origin. Iâm much stronger at my native magic than I am at writing curses on pieces of paper.â
The spirits still werenât sure. I couldnât just leave him on the lawn here. He would beat his chest and follow me into the house. I had to show them why he was important.
âJim?â
âYes?â he said.
âI need help.â
âIâm here,â he said.
âI need you to think about why you first asked me out. Like really think about it.â
âI asked you out becauseââ
I raised my hand. âNo, please donât tell me.â I was too scared to find out. âJust think about it.â
âOkay.â
I knew exactly why I had a crush on Jim. It wasnât just one thing, it was the whole thing. He was one of the smartest men Iâve ever met. When Curran painted himself into a corner, he went to Jim and trusted him to think of a way out of it. He looked . . . Well, he was hot. Unbearably hot, like the kind of man you might see in a magazine or on TV. There was this raw masculinity about him, a kind of mix of male confidence and power. He was so unlike me. I was small and slight, and he was large and corded with muscle. I liked that duality, the contrast between me and him. It turned me on and I watched him when he wasnât looking. I knew the way he held his head, the angle of his shoulders, the way he walked, unhurried and sure. In a crowd of identically dressed men, I would instantly know my Jim.
But what made me fall in love with him wasnât his smarts, his looks, or even the fact that he was lethal. All that was great, but that alone wasnât enough. So I opened my heart and let the spirits look within. My life was often chaotic. I got scared. I lost my temper. I freaked out. I was never sure if my curse magic would work or not. I was helpless
Douglas Preston, Lincoln Child