offer.
Once she, too, was out of the foâcâsle, Janice Morraine resumed command. She herded us all off the boat and onto the wooden pier.
âI want undisturbed pictures of the entire boat before anyone else goes back on deck,â she said. âSomebody call downtown and see where the hell that damned photographer is. He should be here by now. Anybody got a cigarette?â
While she and Sue Danielson set about lighting up, I marched purposefully off down the dock, intent on tracking down Janice Morraineâs missing photographer. I didnât have to go far. The âheâ in question turned out to be another sheâNancy Gresham, a talented young woman who has been taking pictures for the Seattle Police Department for several years now. I met her hurrying down the dock, carrying her camera and a box of equipment.
She turned down my gentlemanly offer to carry her case. âDonât bother,â she said. âI can manage.â
âSuit yourself.â
Nancy looked up into my eyes. âI was talking to one of the firemen on the way in,â she said. âHow bad is it?â
âAbout as bad as I ever remember,â I told her.
âComing from you, thatâs saying something,â she returned.
âI guess it is,â I agreed. And it was.
She continued on down the dock toward the Isolde , and I made as if to follow her, but Officer Casey, one of the patrol officers, came puffing down the dock. âHey, Detective Beaumont,â he said. âWeâve got a little problem here.â
âWhatâs that?â
He motioned with his head back down the dock to where another officer was manning the barricade. âThereâs a woman down there,â he said.
âA woman?â I returned, trying to inject a little humor into what was an impossibly humorless situation. âWhy would that be a problem? The place seems to be crawling with them. Theyâre all doing their jobs.â
Casey looked uncomfortable. âI know,â he said in a way that told me he had missed the joke entirely. âYou donât understand. She says sheâs his wife.â
âWhose wife?â
âThe dead manâs,â Casey answered. âOr at least I guess itâs him. She says her husband is the owner of the boat. She wants to go on board. When I told her that was impossible, she wentballistic on me. Would you come talk to her, Detective Beaumont? Please?â
I followed Casey back down to the barricade, where a young officer named Robert Tamaguchi was arguing with a heavyset woman who towered over the diminutive officer by a good foot. Long before I reached the end of the dock, I heard the sound of raised voices.
âWhat do you mean, I canât go on board?â
âIâm sorry, maâam,â Officer Tamaguchi insisted placatingly, keeping his voice calm, reasonable, and businesslike. âThis is a police matter. No one at all is allowed on board.â
âA police matter!â the woman repeated indignantly. âYou donât understand. The Isolde is my husbandâs boat. My boat. I want to see whatâs happened to it. You have no rightâ¦.â
I walked over to the barricade. âMrs. Gebhardt?â I asked uncertainly.
A tall, thick-waisted woman with fierce, bright blue eyes and a long woolen coat to match looked angrily away from Tamaguchi and zeroed in on me.
âI want to know exactly whatâs going on here,â she declared. âI understand thereâs been a fire. I can see that. But why wonât this policeman let me see whatâs happened to my own boat? And whereâs Gunter? He has to be here somewhere. His truck was out front in the lot.â
Behind the womanâs heavy, angry features, there was a hint of someone I recognized, the shadow of someone I knew but couldnât quite place.
âAnd who are you?â she demanded shrilly.âAre you in charge, or