like having a coat to keep you warm.â His eyes went misty. âA magic cloak of confidence. To think some people just wander on to the stage, without any idea where theyâre going.â
âYes.â Hettie was excited. âYou know in that skipping scene, with the other girls, well, Iâm actually meant to be visiting my Grandma, and then I get distracted, but all the time . . .â Her face was flushed, and her voice rose in pitch. âIâm feeling guilty, Iâm actually thinking, shit, Grandmaâs waiting for me. And of course none of that is in the script.â
âYes,â Nell agreed. âThatâs brilliant.â
âAnd if Thea is Close,â Pierre added, âthen youâve got her rhythm for nothing. Her Shadow Moves are punching, slashing, floating, gliding, pressing, wringing, dabbing, flicking.â
âMy God.â Hettie tore open a packet of crisps. âYes. I can work out every single one of her lines. Well,â she laughed, ânot that there are that many.â
âWhereas Moritz,â Pierre squeezed his hand in for a crisp, âis Adrift, and the Shadow Moves for Adrift are punching, pressing, floating, flicking, wringing, slashing, gliding and dabbing.â
âBloody hell! Does Silvio know what a genius you are at his work?â Nell asked. She didnât know how heâd memorised the lists, especially when so many of them were the same.
âIâm not sure, but I thought Iâd better make an effort. In the third year we have to create whole characters from his Six Tables.â
Hettie looked alarmed.
Pierre sighed. âI think Iâll do my Mum, everything she says sounds as if sheâs wringing out a sheet.â He began to twist an imaginary piece of cotton, his face contorting with the effort. âFor Christâs sake son,â his voice was strained, âwhen are you going to get a proper job and stop messing around?â
âYouâre a genius.â
âYeah. Well. I thought Iâd better start making plans. I mean, what are they going to do? The ones who havenât bothered really listening? I guess theyâll be out on their arses, doing walk-on parts in Panto, if theyâre lucky.â He drained his glass. âActually, I feel sorry for my mate at Guildhall, not learning what we know. All they teach them there is tits and teeth. Maybe we should try and explain some of Silvioâs theories.â
âIâm not sure.â Nell felt doubtful. âWhat if we get it wrong?â She imagined attempting to reproduce Silvioâs work, the intricate multi-coloured charts, the graphs and tables, the three-dimensional drawing of a cube with abbreviated directions for the angles of your thoughts.
âTrue.â Pierre tore open another packet of crisps. âMaybe weâre not ready yet. Anyway, you still havenât guessed the identity of my beloved.â
âItâs me.â Hettie licked her salty lips.
âWarm.â He put an arm around her narrow shoulders and laid his head against her fine, pale hair. âIf you were a boy, youâd be perfect.â
âI wonder if weâll ever all work together?â Nell watched them. âI mean in the future. When we get out.â
âIt will be odd to be on stage with people not from Drama Arts,â Pierre said. âI guess weâll stand out. Or they will. Our training will put us on a whole other level.â
Yes, Nell thought. She took a last sip of her whisky mac and felt entirely happy. There would be actors, acting, and then them , inhabiting their actual characters, an entire psychological life, both physical and mental, all mapped out. âItâs going to be so strange. Maybe we should set up our own company. The three of us!â
A shadow loomed over their table. They all looked up. It was the man from the bar, the man in the overcoat and paisley scarf. âYou