jerk.
âNow that youâve established youâre a bastard, despite your Southern-gentleman image, letâs talk currencyâbecause thatâs the only way I do business.â Her words were clipped, her voice icy.
A knock interrupted the heated silence as they took each otherâs measure. Burt called through the door, âYouâre on in three.â
âWhatâs your answerâwill you write a song for me?â Chelsea persisted.
âIâll think about it.â
It was an obvious brush-off. A flash of fire flickered in Chelseaâs eyes. âYou do that,â she said, then, standing on tiptoe, proceeded to kiss him senseless, repaying him in kind with a kiss that was insultingly sensual, boldly provocative and unmistakable in message.
It said, I donât give an inch.
And Iâm not impressed.
C HELSEA WATCHED FROM backstage as Dakota began his opening song after the thunderous applause from the packed audience died down.
It was a torch song, the lyrics all achy and filled with longing. Dakota looked as uncomfortable as hell.
A satisfied smile played on Chelseaâs lips when halfway through his song, Dakota did something heâd never done before.
He forgot his own lyrics.
Chapter 4
4
C HELSEA STOOD LOOKING out the window of her suite at the Opryland Hotel. The view of the two-acre conservatory was enchanting. Last weekâs appearance at the Farm Aid benefit, her first live performance since her throat surgery, had netted her an interview with âE Entertainmentâ and she was in an upbeat mood.
Thankfully the interviewer had kept the tone of the interview light. When the woman asked her why she was in Nashville, Chelsea had hinted at her plans to take her career in a new direction.
She hoped her fans would follow her, but it wasnât something she could count on. Public interest could be very fickle. But if she could bring her old fans and win some new onesâshe knew it was a big ifâshe could be back on top again.
The phone rang.
It was Tucker.
âThe interview with âEâ went great,â she informed him. âHow did your gig go last night?â
âThe sound system wasnât the best, but the crowd didnât seem to notice,â he answered. âWhenâs the piece going to run?â
âIâm not sure. The interviewer said it would probably air in about two weeks. So, where are you headed next?â
âSomewhere in Iowa, I think.â
âGood,â she told him. âYouâll have time to write letters. Do you have the address here?â
âI always know where you are, babe. How about Dakota? Does the poor bastard know youâre in Nashville?â
âHe knows.â
âAnd?â
âAnd he said heâd think about it, just to get rid of me.â
âBut youâre going to try again, right?â
âWhat do you think?â
âWell, good luck, babe. Iâve got to run. The bandâs waiting to go out to breakfast.â
âItâs two in the afternoon.â
âYouâve been off the road too longâthat is breakfast time.â
âOh, right, I forgot.â
She hung up on his âSee you, babe,â and stood by the phone for a moment, remembering the camaraderie that was part of being on the road. But she had no time to be blue, she reminded herself. There were suitcases to be unpacked.
And a mind to be changed.
Dakota Law would write her a signature song.
When she began unpacking her last suitcase, she came across her mail. Sheâd scooped it up in her hurry to catch her flight to Nashville. She sorted through it quickly and set aside a small package and a greeting-card envelope.
She opened the small package first and laughed at the ceramic oddities inside. Tucker had picked up the habit of sending her dumb salt-and-pepper shakers from wherever his band played. Putting the package aside, she opened the card. It had