toward the drugstore.
Her mother twists around to face her and says what she has probably been waiting all night to say. âI told you L.A. wasnât safe.â
âMom. Not L.A., West Hollywood.â Her side aches at the emphasis. âDo you know what that means? I mean, like, about the world?â
Her question is only half rhetorical. If what happened tonight (last night?) can happen in West Hollywood, where is she supposed to hang out? In college she read essays about how the whole world was a construct, a big lie everyone told themselves to cover up the fact that the only truth was that there was no truth. It sounded glistening and mysterious, a conspiracy theory. Felix would trip out for a while, then close her course reader and go sing Spanish karaoke with Jia Li at a semi-scary bar on Hollywood Boulevard. Theyâd stop at In-N-Out for hamburgers-sans-burgers on the way home, and sometimes they would see movie stars there. All of this, too, seemed to have something to do with postmodernism. She wasnât sure what because she didnât read that carefully.
But tonight (or last night), her big, colorful adventure turned sour and real and unbearably old. Sheâs been sentenced to walk the dangerous streets of a land that is suddenly as foreign as a dream.
Suzy answers Felixâs question. âIt means I have to worry about you! I already worry about you. I know you wonât even consider coming home and staying with usâI know that would be horribly âuncoolâââ
âMom, Iâm not in sixth grade. Iâm not really worried about looking uncool.â Although Felix does feel very uncool at the moment. Her head and neck throb, and all she can see from the car window is a billboard inviting Korean people to move to Valencia.
âSo wonât you reconsider what I said about visiting your aunt?â
This has been a running theme of their conversations for nearly a year. Suzy wants Felix to spend time with Anna Lisa, who ran away from home at 19 to go be a dyke in some town in the elbow of California. Felix usually responds by accusing her mother of thinking that all lesbians are the same.
âJust for a couple of weeks,â Suzy persists. âYouâll make her so happy. Lilac Mines is one of those safe, sleepy little towns. Nothing ever happens there.â
âExactly!â
âSomeone needs to help you change the dressing on your wounds,â Suzy continues. Felix hates the words âdressingâ and âwound.â It makes her sound like a Civil War casualty. âAnd who better than your Aunt Anna Lisa? Sheâs a nurse, for goodness sake.â
âFine,â she says. âIâll think about it.â
She does not think about it. She does her best not to think about any of it. As soon as she can, she goes back to work. Her regular doctor, whom she has actually only seen once before, insists that she wear a hideous plastic-and-foam neck brace.
âI think maybe I should do a write-up of the summerâs hottest medical accessories,â Felix tells her editor, Renee Salt. âThis would be just below âcolostomy bag.â â She is wearing a loose embroidered blouse, but the bandage around her ribs makes her feel fat.
âGod, Felix, you shouldnât joke about that stuff,â says Renee. She purses her fuchsia (magenta?) lips in concern. âWhat happened to you was really terrible. I hope you know how terrible we all feel about it.â
Felix wants to tell her that she just used âterribleâ twice in one breath. When Jessi Menaster, the West Coast photo editor, got a nose job last winter, it wasnât nearly this awkward. Felix wishes she could tell them she was mugged instead. That would be very New York. But Crane called Renee the Monday after the attack and relayed every detail. Felix realizes that, until now, being out at work has meant being lesbian-chic. She wore leather
Mike Piazza, Lonnie Wheeler