These, after all, were societies that existed because of their plants. Their basic food was bitter manioc, a poisonous root rendered edible by women using a complex process mediated by ritual and infused with myth. From the astringent bark of lianas, their hunters extracted poisons that could kill, as well as potions and stimulants that conquered sleep, allowing men to move by night in the shadows of jaguar. Their shaman listened and heard voices, plant songs that provided clues to hidden pharmacological properties that, once exploited, allowed them to journey in trance to the stars. Plants fed the children, healed the elders, vanquished enemies. I became an ethnobotanist because I could not imagine any better way of understanding the lives of the people of the forest.
In the Canadian north, by contrast, in a world where animals dominate and the dialogue is between predator
and prey, the central metaphor is the hunt. Unless one is able to follow caribou over the tundra, track moose through the forest, one can never fully embrace the rhythm of the culture. To record the myths of Athabaskan elders, one has to become a hunter, for the myths are an expression of the covenant that exists between men, women and the wild, a way for the Indian people to rationalize the terrible fact that in order to live, they must kill the creatures they love most, the animals upon which they depend. Like so many lessons of anthropology, this was something that I learned through experience, living amongst a people, frequently making mistakes but always paying attention to the consequences.
In northwestern British Columbia, a year or so after graduating from college, I was hired as ranger in the Spatsizi wilderness, a roadless track of some two million acres (800 000 ha) in the remote reaches of the Cassiar Mountains. The job description was deliciously vague: wilderness assessment and public relations. In two long seasons, our ranger team, myself and one other, Al Poulsen, a six-foot four (193-cm) vegetarian who grazed through meals and could conjure golden eagles out of the wild, encountered perhaps a dozen visitors. Wilderness assessment was a licence to explore the park at will, tracking game and mapping the horse trails of outfitters, describing routes up
mountains and down rivers, recording what we could of the movements of large populations of caribou and sheep, mountain goats, grizzly bears and wolves.
In the course of these wanderings, we came upon an old Native gravesite on an open bench overlooking Laslui Lake, near the headwaters of the Stikine River. The wooden tombstone read, simply, âLove Old Man Antoine died 1926.â Curious about the grave, I crossed the lake to the mouth of Hotleskwa Creek, where the Collingwood brothers, the outfitters for the Spatsizi, had established a spike camp. There, I found Alex Jack, an old Gitxsan man who had lived in the mountains most of his life. His Native name was Atehena, âhe who walks leaving no tracks.â Not only did Alex know of the grave, his own brother-in-law had laid the body to rest in it. Old Man Antoine, it turned out, was a legendary shaman, crippled from birth but possessed of the gift of clairvoyance. Alex had walked overland from his home at Bear Lake in the Skeena, 150 miles (240 km) to the south, in order to meet Antoine, only to arrive on the day of his death.
Intrigued by this link between a living elder, raised in seasonally nomadic encampments, totally dependent on the hunt, and a shaman born in the previous century who read the future in stones cast into water held in baskets woven from roots, I left my job as a park ranger and went
to work with Alex. As we wrangled horses, repaired fences, guided the odd hunter in search of moose or goat, I would ask him to tell me the stories of the old days, the myths of his people and his land. He happily told tales of his youth, of the hunting forays that brought meat to the village and of the winter trading runs by