her.
âItâs just that I am different.â
The teacher complains: âShe forgets everything and is distracted by anything, as much at play as at work. Sheâll suddenly absent herself and nothing whatever can bring her back to earth.â
âItâs her Irish blood. Ireland is home to idiots and lunatics,â replies the Mother Superior.
Patricia Paterson, Leonoraâs cousin and fellow pupil at St. Maryâs, prefers her to her other friends.
âI am opposed to all forms of discipline,â she tells Leonora. âAnd if you donât want to get boxed in, things would go better for you if you did like me: just obey.â When Leonora listens to music, her face looks at peace, the sounds of the chapel organ envelop her and she forgets all else. She plays the piano well and the nuns attempt to encourage her musical abilities, and to persuade her to join the choir.
Leonora responds by obtaining a saw from which she extracts a painful noise. âItâs my violin,â she explains to the choir mistress, who refuses to let her give the concert she longs to. âI feel a part of this music. Or else just give me some paints and brushes and leave me alone.â Her black eyes flash daggers in self-defence.
âYou are possessed,â declares her teacher.
Leonora disobeys every order and continues to write backwards with her left hand.
She carries on smoking deep inside the fake grotto to Our Lady of Lourdes, until she stands accused by one of the novices.
âSo you indulge in this particular vice,â says the Mother Superior, corroborating the evidence.
âYes, since I was young.â
âDoes your family know about it?â
âNanny does. She told me that if I went on like this, itâd be impossible for a chimney sweep to get down my throat without turning black.â
âWhere do you obtain the cigarettes?â
âMy father has a cigarette box full of them.â
Before the school year was out, she was expelled once more. Patricia Paterson accompanied her to the grille in the front door. âIt was playing the saw that finally did it.â
Leonora is ten years old when the Carringtons, together with Nanny, decamp lock, stock and barrel to Hazelwood, a less opulent house than Crookhey Hall, and within reach of the salty sea breeze. It has fewer dark corridors and poky passages than Crookhey, making it impossible to play ghosts with Gerard, but the scent of the sea makes up for everything. Crookhey Hallâs drawing room was impressive and a spinning wheel in one corner attracted unfailing attention. There was a quantity of mirrors and lances, but what attracted most attention were the suits of armour once again standing guard in the new living room at Hazelwood. There was even one occasion when Leonora and Gerard clambered onto the roof at Crookhey and viewed the whole of Great Britain. In Hazelwood, all they can do is ponder on the meaning of three dark, grand arches leading nowhere.
4
MISS PENROSE
T HIS TIME THE BISHOP OF LANCASTER declined to assist: âNot only did she take up smoking,â Maurie explains to Harold, âyour daughter accused the Reverend Mother of having a wart sprouting two white hairs on her chin.â
âDoesnât she?â enquired Harold Carrington.
âYes, but it is more polite to exercise discretion.â
âWhat are we going to do with you?â Maurie regards her daughter with apprehension. âYour father is so livid he had one of his turns at the Club.â
âAll I want to do is paint.â
âYou are not in a position to decide your future life at the age of fifteen.â Harold Carrington is becoming annoyed. âBefore your presentation at Court, we are going to send you to Florence so that Miss Penrose can teach you some proper manners.â
That evening, Leonora goes into her fatherâs library.
âPapa, will you please allow me to ask you a