strangely altered world, a world
which seemed reluctant to acknowledge her existence. Her skirts grew
so short that she could see her ankles, the seams of her bodices split, the
pretty little coifs sat so absurdly on the top of her head that she refused
to wear them.
One hot August day she climbed into the window-seat in the Long
Gallery, a puzzled but not unhappy little girl who thought it would be
fun to hide from her attendants. For a long time no one missed her and a
group of ladies gathered around the empty hearth with their embroidery
and their wagging tongues.
“At least it was quick,” someone said morbidly, and in a moment the
thing, which had never been openly discussed, was being chewed over
with that restrained, ghoulish relish with which women discuss a tragedy
that does not directly affect them.
“It’s always clean and quick with a sword—should be, too, for what it
cost to bring that executioner from France. £23.6s.8d.—that’s fair pay for
two minutes’ work. He gave her the best of everything, even in death.”
Somebody sniffed and said sharply, “Pity he didn’t see fit to give her
a coffin. Imagine her lying there all day in a pool of blood till one of her
women found an arrowchest.”
“Yes—all those flies, it was such a hot day! I wonder where she
was buried?”
There was a decent pause as they bent their heads and applied their
19
Susan Kay
needles diligently. Soon they turned their attention to the new Queen,
Jane Seymour.
“What does he see in her?—such a plain, whey-faced little sheep.”
“At least she’ll be faithful to him.”
“She’d better be! Christ’s soul, I wouldn’t share a bed with him to be
Empress of the World.”
“Well, in my opinion, if the Lady Elizabeth had been a boy it would
never have happened. A son for England is all he cares about now, and
he’ll get one sooner or later, if he has to murder a dozen wives in the
process—”
Elizabeth sat very still, staring out of the window. An hour later, Lady
Bryan, searching angrily, pulled back the hanging and found her there,
quietly arranging the black satin skirts of her favourite doll. She looked
like any normal three-year-old, absorbed in play, and the doll too was like
any other, save for one small detail.
It was headless.
The painted, black-haired bauble lay at the foot of the window-seat in
an attitude which suggested that it had been thrown there. Bryan picked
it up and turned to look uncertainly at her charge.
“It broke,” said Elizabeth flatly.
“Never mind.” Bryan was brisk, wrestling with a curious feeling of
unease. “Give it to me and we’ll see if Mr. Shelton can mend it for you.”
Elizabeth put the doll behind her back.
“I don’t want Mr. Shelton to mend it.”
She got down from the window and ran out of the gallery, and some
inner instinct warned Bryan not to make an issue of the incident. Clearly,
in spite of her strict instructions, tongues had been wagging carelessly.
She made a mental note to dispose of the wretched doll as soon as the
child was safely in bed, but when she came to look for it later that night,
it was nowhere to be seen.
She considered questioning the maids, then thought better of it; it
would only start a lot of morbidly exaggerated rumours. It was better
to assume that Elizabeth, having lost interest, had dropped the miserable
object and that one of the servants had quietly disposed of it. And if, by
some chance, it should continue to hang about the house in a forgotten
corner, what did it matter anyway? It was only a doll, after all.
20
Chapter 2
T he summer of 1537 seemed endless to Jane seymour, dragging
through the sultry days, heavy with the King’s child, and heavier
still with guilt. A shrinking presentiment of death was upon her; Anne’s
death and Anne’s neglected child were like twin millstones round her
thin neck, pulling her down into an abyss of languid despair.
“For Christ’s