Last Breath
staying clear of the doorway. She reached the far wall and crept to the open door, the glow from the TV brightening as she approached.
    The baby had quieted, its sobbing wails subsiding into hiccups. Hugging the door frame, C.J. listened for any other sound. She heard an electric hum—a fan or a refrigerator motor—and softly, a man’s voice.
    “ Dios mio,” Sanchez was murmuring, “ Dios mio, Dios mio ...”
    The chant continued. The voice was low and close. Sanchez must be positioned near the bedroom. She couldn’t tell if he was facing her way or not.
    There was only one way to go in, and she did it, pivoting through the doorway, staying low to make herself a smaller target.
    Sanchez hadn’t seen her. He faced front, sitting in what looked like a rusty beach chair. No lights were on, and the only daylight came from the bedroom behind her. The room was illuminated solely by the shifting glow of a muted black-and-white TV resting on an apple crate. A car commercial flowed past in a ribbon of roadway vistas, and then a double-decker cheeseburger filled the screen.
    The picture tube’s bluish light flickered over the sweaty nape of Sanchez’s neck, his loose shirt collar, and the curly-haired baby boy in diapers nestled in his lap.
    C.J. took a quick survey of the living room. Mismatched odds and ends of furniture, an ironing table, a fake plant, a velvet painting of Jesus on the wall. No mirrors, no polished surfaces—nothing that might betray her by a reflection.
    Her gaze circled back to Sanchez. With his left hand he stroked Emilio’s belly, calming the child. In his right hand he held his gun, a long-barreled revolver, maybe an old Colt or Smith—a six-shooter anyway, like a relic of the Wild West.
    “ Dios mio ... Dios mio ...”
    Emilio had ceased crying. It was Mr. Sanchez who was sobbing now.
    C.J. almost called out to him, identifying herself again as the police, but if he panicked he might turn and fire, and she would be trapped in the doorway, unable to shoot back without endangering the baby.
    She had to get the gun away from him.
    The distance between herself and Sanchez was six feet. She could reach him in three short steps and snatch the gun.
    Dangerous, but facing danger was what they paid her for, right?
    C.J. moved forward, still bent low. She dragged her feet in a cautious slide-step, maintaining her balance, textbook high-risk-felony procedure.
    One step. Two.
    The revolver almost within reach.
    Emilio screamed.
    The baby had seen her coming, and his cry alerted Ramon Sanchez, who spun, rising, the revolver blurring toward her, and on pure instinct C.J. reached out with her free hand and grabbed it by the cylinder.
    A revolver couldn’t fire if the cylinder was prevented from turning.
    That was the theory, at least. The reality was that some revolvers—the ones that were old, damaged, defective—might fire anyway.
    Past the gray shape of the gun she saw Ramon’s eyes, inflamed with weeping, big with rage.
    “ Policia,” C.J. snapped. “ Suelte la arma.” Drop the weapon.
    She could shoot him now. She could fire past Emilio, wrapped in Ramon’s left arm like a small pink shield—fire into the man’s abdomen or groin.
    But if she did, he would try to fire back, if only in a reflex action. And his gun was pointed at her face from inches away, close enough for her to smell the lubricant on the muzzle.
    An old gun, Maria Sanchez had said. A piece of junk, from the look of it. The kind that might fire even if the cylinder was immobilized.
    She repeated the command taught to all recruits at the police academy. “ Suelte la arma.” Even though Sanchez spoke English, it was a fair bet that he was more fluent in Spanish.
    He must have understood her, but he still didn’t comply.
    She and Sanchez watched each other over the barrel of his gun. C.J. waited for him to pull the trigger. Waited to find out what kind of luck she had.
    But he didn’t try to shoot. Slowly he relaxed his grip on
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