real chance. I thought we were going to start on Monday, but he called me. I called Jon, and we agreed we’d go out with him, but he’d already taken the smaller boat. We let him know we were on our way, but I think he ignored us because he had to prove it to himself first. He shouldn’t have gone down to the wreck. He shouldn’t have gone down alone—he knew that. I was furious with him. Before we found him, of course.” She paused, looking at Jon and then at Will and added, “I was afraid. We didn’t want to lose our funding.” She glanced at Jon again, as if feeling guilty about something she’d done while trying to rationalize it at the same time.
“We brought out our second boat—the big one, Glory— and found the Seeker at anchor. There was no sign of Brady. And it was wrong of him, because Mr. King, the producer, said from the beginning that he’d finance us as long as we let him document every step—right or wrong—along the way,” Amanda told Will.
“I think Brady was afraid we’d start work, and there’d be no ship,” Jon said. “And if that was the case—”
“We’d already taken money,” Amanda broke in. “It’s also really competitive, diving for salvage. It can be confusing, too, with U.S. laws, state laws, international laws…except that we’re not in it to make a fortune. A 1987 federal law says the states own all wrecks found in their territorial waters, but there’s still money in salvage. There’s another law about disturbing a grave site, but really, there can’t be anything left of the people…. Except if the mummy itself was properly sealed… The thing is, we believe in returning antiquities. What we’d earn would be a percentage of what Mr. King makes in IMAX films and the like. Of course, he gave us a hefty sum as a down payment.”
“I knew something was wrong when the boat was empty, and Brady’s dive flag was still out,” Jon said.
“So, anyway,” Amanda continued, “Mr. King’s director, Bernie Firestone, and some of his crew came out with us, taking their boat—nice and fancy, all kinds of great stuff on it—and two of his underwater cameramen followed us down. And…and we found Brady.” Tears welled in Amanda’s eyes.
“Yeah. It was great. He’d found the Jerry McGuen, ”Jon said bitterly. “And we found him.”
Amanda let out a little choking sound. They both stared at Will, their eyes soulful and wet.
Amanda was thirty-two, a pretty woman, reed-thin and passionate about her work. Jon, her coworker, was a few years older. His brown hair was graying at the temples and he wore bottle-thick glasses and was also thin. He was wiry and seemed fit as the proverbial fiddle.
Their attempt to explain everything to him at once seemed to point to their clinical and obsessive pursuit of knowledge. They both spent hour upon hour—day upon day—in their little cubicles or labs, painstakingly dusting or chiseling away the dirt and dust of the ages. Sometimes, they got to go on a dig or a dive, but most of the time, they were in their offices and labs.
Will liked everything he’d read about the Chicago Ancient History Preservation Center. He’d always been intrigued by history himself, especially by the way many societies—including the ancient Egyptians—used mysticism and magic.
As Amanda had said, the center kept none of the antiquities it discovered or worked on; its sole purpose was to preserve historical artifacts, delve into their secrets and pass them on to their homelands or an institution worthy of guarding and displaying them. It had been founded in the latter part of the nineteenth century by Jonas Shelby, an avid Egyptologist. In the years since, grants and private donations had added to Shelby’s legacy, and while the “treasures” came directly from ancient Egypt, they might also have been discovered in a Chicago backyard.
Amanda suddenly frowned at Will. “I’m not really sure why you’re here, Agent Chan,” she said.
Janwillem van de Wetering