in.
The maid wouldn’t be coming back. The house was a large one, and Keller went through it room by room, and it was easy to tell the maid’s room, because it was the smallest room in the house, tucked in under the back stairs and alongside the kitchen. There was a wooden crucifix hanging from a nail on one wall, and there was a week-old copy of El Diario, and that was pretty much all there was aside from the bed and dresser. She’d thrown everything else in a suitcase and now she was gone, and she wouldn’t be coming back.
The crucifix, he decided, had been a parting gift from her mother in El Salvador. That was the name of the country, while the capital city was San Salvador, but she probably came from somewhere else. Cutuco, he decided. Puerto Cutuco was the only other city he knew in El Salvador, and he knew it because one of the stamps of the 1935 series pictured the wharf at Cutuco. Another stamp in the same series showed a volcano, and he knew its name, but couldn’t remember it.
As if it mattered. Her mother in Cutuco had given her the crucifix, he continued thinking, telling her to keep it with her forever and it would always protect her, and she’d dutifully mounted it on the wall, and in her haste she’d forgotten it. Terrified of the faceless Immigration and Naturalization Service (except it wasn’t so faceless now, it had Keller’s face on it), she’d abandoned the one thing she owned that tied her to her home and family. She wouldn’t come back for it, she didn’t dare, but its loss would always bother her, and—
Jesus, get over it, he told himself. She could let go of the crucifix a lot easier than he could relinquish the fantasy he was spinning, complete with a hometown from a stamp in his collection.
It bothered him, though. That he’d scared her the way he did. Still, what else was he supposed to do? He couldn’t snap her neck just because she was in the way. She was tiny, she’d have to stand on a box to be five feet tall. It would be like killing a little kid, and that was something Keller had never done. Once or twice someone had offered a contract on a child, and he and Dot had been entirely in accord on the subject. You had to draw a line, and that was where you had to draw it.
But that was a matter of age, not size. The woman—and he found himself wishing he knew her name, now that he’d played such a role in her life—was certainly over twenty-one. Old enough to vote, old enough to drink…and old enough to be killed? Was he being politically incorrect by giving her a pass on the basis of her height? Was he being…well, he wasn’t sure the word existed, but was he being a sizeist? A heightist? Was he altitudinally prejudiced?
What he was being, he told himself, was severely neurotic, and that was the occasional consequence of breaking into an empty house with nothing to do but wait for someone to appear. He’d done this sort of thing before, but that was in an earlier life. Now he had a wife and a daughter, now he lived in a big old house in New Orleans and had a business repairing and renovating other people’s houses, and the new life suited him, and what was he doing here, anyway?
He looked at his watch, and every ten minutes or so he looked at it again.
Keller had read somewhere that all of man’s difficulties stemmed from his inability to sit alone in a room. The line stayed with him, and a while ago he’d Googled his way to its source. Someone named Pascal had made the observation, Blaise Pascal, and it turned out he’d said a lot of other interesting things as well, but all but the first one had slipped Keller’s mind. He thought of it now as he forced himself to sit alone in the maid’s room, waiting for Portia Walmsley to come home.
And pictured the woman. When he was living in New York, he’d have taken the train to White Plains, where Dot would have given him the woman’s photograph, which someone would have sent to her by FedEx, in the same