sits up. Sunlight is pouring into Léontineâs little bedroom now. Itâs the middle of the morning. Upstairs the children are raising a terrible row, seeing who can stamp and squeal the loudest. Suddenly, two piercing cries come ripping through the air, above the clatter. The child isnât screaming with anger or pain. Just for the sheer joy of making himself heard, at the top of his lungs, over the troop of brothers and sisters.
Madame Rolland pulls on her dressing gown, dashes upstairs. There she is now in the nursery, wild-eyed, breathless, giving a healthy slap to little Eugène, so startled he forgets to whimper.
âWhatâs got into you, screaming like that? And with your father so sick!â
The chaos of the room defies description. Chunks of bread scattered about the rug, a cup of milk spilled over. A big rocking horse, lying on its side, as if craning its neck to reach the puddle.Piles of dirty underwear. Baby Eléonore, half naked, displaying her bottom and its chafed little checks. Madame Rolland seizes the childrenâs nursemaid by the shoulders, gives her a shaking. Hairpins fall to the floor in a shower as the poor girl is jostled back and forth by a steady hand.
âAgathe, you stupid child!â
âBut . . . Florida said sheâd help me. I canât do it all by myself.â
In no time at all Madame Rolland has powdered little Eléonoreâs bottom, dressed her up in pretty embroidered drawers. The rocking horse is put in its place. Agathe takes out the dirty underwear, wipes up the milk, picks up the bread, sweeps up the crumbs. Everything is back to normal. The children â dressed, combed, calmed down â strike a delightful pose around their mother. Agathe, hands joined in admiration, stands before the touching tableau.
âJust like the Queen with her little princes by her side!â
Out of the mouths of fools. How true. The Queen, against Elisabeth dâAulnières? Absurd. Who would dare accuse me of offending the Queen? When itâs obvious that I look just like her, enough to be her sister, with all my brood around me. I look like the Queen of England. I act like the Queen of England. Iâm fascinated by the image of Victoria and her children. Perfect imitation. Who could find me guilty of doing anything wrong?
Suddenly little Anne-Marieâs sweet voice pipes up:
âBut Mamma is wearing her robe! And her hair isnât combed. And besides, her face is all red!â
What a nuisance, this bright, clever child. Too clever. In a flash the charm is broken, the sham unmasked. In her state of disarray, Madame Rolland rings a clashing note. And in such a lovely picture of the children, cleaned up all spick-and-span. Agathe seems a little ashamed to have let herself be taken in by such a sorry sight.
âOh, Mamma, let me fix your hair!â
Anne-Marie pleads with her shining eyes. For a while Elisabeth lets her pull and tug. Again and again, without success, comb and brush attack the thick, tangled growth.
All right, whatâs the shame? Letâs show the children the backside of Victoriaâs image. Let it amaze them. Let them be good and bewildered. It will teach them something. Hereâs your mother, unkempt and disheveled. See what she looks like fresh from a couple of hours of haunted sleep. So, Anne-Marie, my dear, you think my face is red? Youâll never know how it hurts me to hear you say that. Youâll never know the pain . . . Your childish voice, dredging up another voice buried deep in the darkness of time. A long root, torn thundering from the soil of memory, still covered with earth. Justine Latour, before the magistrate, testifying in her peasantâs twang, shaking with fright.
âThe whole time Doctor Nelson was on his way to Kamouraska, Madame was all excited and red in the face, even more than she usually is.â
Send the children off for the day. Anne-Marie and Eugène to Aunt
Aziz Ansari, Eric Klinenberg