K Is for Killer Read Online Free PDF Page A

apply for any permits. For the most part, scenes took place in interiors that could have been anywhere. The lead actor, Russell Turpin, must have been hired solely on the basis of certain personal attributes that he displayed fore and aft. He and Nancy, ostensibly husband and wife, were sprawled naked on their living room couch, exchanging bad dialogue and subjecting each other to various sexual indignities. Nancy was awkward, her gaze straying to a spot at the left of camera where someone was clearly mouthing the lines she was supposed to say. I've seen elementary school pageants with more talent in evidence. Whatever passion she conjured up looked like something she'd learned from watching other pornographic film clips, the chief gesture being a lascivious lip licking more likely to cause chapping than arousal, in my opinion. I suspect she was actually hired because she was the only one who owned a real garter belt in this age of panty hose.
    Lorna was the prime focus, and her appearance was staged for maximum effect. She seemed oblivious of the camera, her movements fluid and unhurried, her expertise undisguised. Her looks were elegant, and in the early moments of her role it was difficult to imagine the misbehaviors that would soon emerge. At first, she was cool and seemed to be secretly amused. Later, she was shameless, controlled, and intense, totally focused on herself and whatever she was feeling.
    Early in the viewing, I was inclined to fast-forward past any scene not involving her, but the effect became comical – The Perils of Pauline with sex parts flapping back and forth. I tried to watch with the same detachment I affect at homicide sites, but the mechanism failed and I found myself squirming. I do not take lightly the degradation of human beings, especially when it's done solely for the financial gain of others. I've heard it said that the pornography industry is larger than the record and the film industries combined, staggering sums of money changing hands in the name of sex. At least this video had little violence and no scenes involving children or animals of any kind.
    While there wasn't much story to speak of, the director had made an attempt to create suspense. Lorna played a sexually demonic apparition and as such stalked both husband and wife, who ran stark naked through the house. She was also sexually abusive to a repairman named Harry, who showed up in the film during one of the parts I skipped the first time. Often Lorna's appearances were heralded by smoke and her diaphanous gown was blown skyward by a wind machine. Once the action began, there were many close shots, lovingly detailed by a cameraman with a passion for his zoom lens.
    I flicked the tape off and rewound it, turning my attention to the packaging. The production company was called Cyrenaic Cinema with a San Francisco address. Cyrenaic? What did that mean? I pulled my dictionary from the shelf and checked the reference. "Cyrenaic – of the Greek school of philosophy founded by Aristippus of Cyrene, who considered individual sensual pleasure the greatest good." Well, someone was literate. I tried directory assistance in the 415 area code. There was no telephone number listed, but the address might be good. Even if Janice and I came to an agreement, I wasn't sure she'd want to fund a trip to San Francisco.
    I sorted through the files she'd given me, separating out the news clippings from the police reports. I read the autopsy report with particular care, translating the technicalities into my sketchy layman's understanding. The basic facts were about as distasteful as the film I'd just seen, without the leavening influence of all the corny dialogue. By the time Lorna's body was discovered, the process of decomposition was virtually complete. Gross examination revealed precious little of significance, as all the soft tissue had collapsed into a greasy mass. Maggots had made hasty work of her. Internal examination confirmed the absence of