institutional green, colors that could barely be brightened by children's excited voices greeting the end of the school day. That was when one of the teachers in the elementary grades had seen her getting into a green Ford with out-of-state plates. Why? What would make her get into a stranger's car? The thought made him shiver and feel an instant flush of fear for his own daughter. She wouldn't do that, he told himself abruptly. When the little girl failed to arrive home, an alarm had gone out. Cowart knew that the local television stations would have shown a picture on the evening news that night. It would have been of a ponytailed youngster, smiling, showing braces on her teeth. A family photo, taken in hope and promise, used obscenely to fill the airwaves with despair.
More than twenty-four hours later, deputies searching the area had uncovered her remains. The news story had been filled with euphemisms: 'brutal assault,' 'savage attack,' 'torn and ripped body,' which Cowart recognized as the shorthand of journalism; unwilling to describe in great detail the actual horror that the child had faced, the writer had resorted to a comfortable series of cliches.
It must have been a terrible death, he thought. People wanted to know what happened but not really, because if they did they would not sleep either.
He read on. As best he could tell, Ferguson had been the first and only suspect. Police had picked him up shortly after the victim's body had been discovered, because of the similarity with his car. He'd been questioned – there was nothing in any of the stories about being held incommunicado or beaten – and confessed. The confession, followed by a blood-type matchup and the vehicle identifiction, appeared to have been the only evidence against him, but Cowart was circumspect. Trials took on a certain momentum of their own, like great theater. A detail which seemed small or questionable when mentioned in a news story could become immense in a juror's eyes.
Ferguson had been correct about the judge's sentencing. The quote '… an animal that ought to be taken outside and shot' appeared prominently in the story. The judge had probably been up for reelection that year, he thought.
The other library entries had provided some additional information: primarily that Ferguson's initial appeal, based upon the insufficiency of evidence against him, had been rejected by the first district court of appeal. That was to be expected. It was still pending before the Florida Supreme Court. It was clear to Cowart that Ferguson had not yet really begun to gnaw away at the courts. He had numerous avenues of appeal and had yet to travel them.
Cowart sat back at his desk and tried to picture what had happened.
He saw a rural county in the backwoods of Florida. He knew this was a part of the state that had absolutely nothing in common with the popular images of Florida, nor the well-scrubbed, smiling faces of the middle class that flocked to Orlando and Disney World, nor the beered-up frat boys who headed to the beaches during their spring breaks, nor the tourists who drove their mobile homes to Cape Canaveral for space shots. Certainly, this Florida had nothing to do with the cosmopolitan, loose-fitting image of Miami, which styled itself as some sort of American Casablanca.
But in Pachoula, he thought, even in the eighties, when a little white girl is raped and murdered and the man that did it is black, a more primal America takes over. An America that people would prefer not to remember.
Is that what happened to Ferguson? It was certainly possible.
Cowart picked up the telephone to call the attorney handling Ferguson's appeal.
It took most of the remainder of the morning to get through to the lawyer. When Cowart finally did connect with the man, he was immediately struck by the lawyer's licorice-sweet southern accent.
'Mr. Cowart, this is Roy Black. What's got a Miami newspaper man interested in things up here in Escambia County?'
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