with a scheme for arousing public outrage and bringing pressure to bear for the return of the idol; they would send a spokesman from the tribe to make a kind of personal appeal. They knew that the Missionary Society would never approve, so they never bothered to ask for approval; and they never bothered to tell anyone over here. As I understand it, they went to Alan Berg and got his cooperation. It was Berg who arranged to get travel documents for Toby. Together they took this twenty-five-year-old man who had never been out of the Kalahari to Molepolole, outfitted him in a suit of clothes, got a flight attendant to agree to keep an eye on him until they landed at Kennedy Airport, and put him on the plane. Then they called me at the college."
"You wouldn't have approved, either?"
"Are you kidding?"
"Maybe if there'd been more time to arrange—"
"No way. But I was an absolutely essential part of their plan because I know Toby, and I'm the only one around who speaks K'ung. Floyd and Wilbur knew I'd hide out on a mountaintop in Alaska before I'd ever agree to this insanity, assuming I was given a choice. So they made sure I wasn't given a choice. Once Toby was in the air, the plan had become a fait accompli. They knew I wouldn't abandon him."
"Why didn't you take someone with you to the airport?"
"Who?" Reyna asked with a sharp, bitter laugh. "I knew that Toby was going to be spooked enough without having to deal with a stranger. Also, I was very pressed for time. The overseas trunk lines were jammed, and I only got the call barely an hour before Toby's plane was due to land. I figured that the best way to handle the situation was to pick up Toby alone, reassure him that everything was going to be fine, put him up at the college overnight, then pack him off on the first Africa-bound plane leaving in the morning."
"Forgive me for asking, Miss Alexander—"
"My name's Reyna."
"And I'm Veil. Reyna, why did you take him to the gallery? You must have known it would be dangerous."
"I knew," Reyna replied, bowing her head slightly. "I felt I had no choice. The moment Toby got off the plane, I could see that he was full of shilluk."
"Shilluk?"
"It's a kind of combination narcotic-hallucinogenic drug. The K'ung make it by boiling down the sap of a certain cactus. Anyway, Toby had dosed himself to the eyeballs, which was going to make him even harder to handle. We no sooner got in the car than he demanded to see the Nal-toon. With all of the thousands of sights, sounds, and smells that he was experiencing for the first time, the only thing that interested him was seeing his god—immediately. And he wouldn't be put off until the morning. He wanted to see it at once, and when I said that we couldn't, he opened the car door and started to get out. We were on the Van Wyck Expressway, going fifty-five, at the time. The only way I could control him was to agree to take him to see the Nal-toon."
"Did you explain to him that the Nal-toon had to stay where it was?"
"Of course. I even lied to him—something I'd never done—and told him that we might be able to get the Nal-toon the next day. I was in a no-win situation, and I decided that the only way to keep him from hurting himself, or someone else, was to take him to the gallery so he could see for himself that his god was safe. It was a terrible mistake, obviously, and one I'll pay for, for the rest of my life. Because of me, a man is dead."
"No, not because of you. A properly trained guard never . would have fired his gun in that situation. It seems clear that all your friend wanted was the idol; he threw the spear only after he was attacked."
"Still . . ."
"It's not difficult to understand why you felt you had to do what you did. I can also understand Toby's feelings, if not his behavior. Doped-up or not, he must have had some realization of how futile it would be to try to steal the statue and run away like he did. He got incredibly lucky twice; he wasn't squashed on Fifth