dollar or two, but that wasnât enough to get excited about.
The real money was in the theater. Any kind of theater where people came and paid their money to see you dance. Sometimes a show would last for months, even years. I had never seen a show with a black dancer in it. There were minstrel shows, where white men put on black face paint and pretended they were colored, but it wasnât the same. They were being paid to clown around and tell jokes, not to dance.
I didnât know much about Mr. Reeves except what I had heard. People said he recognized talent when he saw it but didnât want to pay very much for his acts. That was all right with me. All I needed was someplace where people could see me dancing, and I would let my feet do the rest. When Mr. Reevesâs little theater got closed up, he tried renting out other theaters, but he never got anything going that lasted more than a few performances. Once he worked putting on sideshows with Mr. Barnum, but they had a falling-out.
I decided to make the best showing at the audition, so I met up with Fred and asked him to come practice with me.
âYou can fiddle while I dance,â I said.
âJuba, I donât know how many black dancers theyâre looking for,â Fred said. âBut youâre a dancer and Iâm a dancer, so thatâs two, and I donât know who else may show up. Iâm not going to sit around and fiddle for you when I should be practicing.â
In my heart I knew that Fred Flamer couldnât dance anywhere near my level, but I had to give him credit for thinking the thing through. Any dancer I would ask to practice with me would be nosing around to see what was going on and trying to make a place for himself. Then I thought of one dancer who might be willing to give me a hand. It wouldnât be easy.
âI do not like people knocking on my door,â Miss Margaret said. âAnd I especially do not want the likes of you standing here when Iâm trying to get my sewing done.â
âIf I didnât need help, I wouldnât be here,â I said. âAnd if you werenât the only person in the world who could help me, I wouldnât be here. But I do need the help, and the good Lord has done me the favor of putting you here.â
âYouâd better be having another cup of tea with the Lord and getting some more names, because I donât give money to insolent children,â Miss Margaret said. The door slammed inches from my face.
âThought you could help me with my dancing!â I called through the closed barrier.
No answer. I had started walking away when a flash of light from Miss Margaretâs apartment hit the floor in the hallway. Iturned and saw her silhouetted in the doorway. âSo?â
I explained to Miss Margaret how Mr. Reeves was trying to open up his theater again and was having auditions for both black and white dancers and singers. âIf anyone is looking for the best dancer in New York City, they donât have to look any further than me,â I went on. âBut I just want to be good and ready for this audition, because I got a feeling itâs going to work out just fine. Once he sees me dancing, once he sees my style, heâs got to hire me.â
âDo you get kinks in your neck from patting yourself on the back?â Miss Margaret asked me. âBecause Iâve seen you dancing in the hallway and Iâm not writing to the Pope about how wonderful you are. And if youâre as good as you think you are and half as good as you say you are, then why do you need me?â
âBecause I know that practice makes perfect,â I said.
âAnd whatâs my piece of this pie?â Miss Margaret asked.
âYou watch my dancing, and tell me if you see anything off, and Iâll . . . give you my first weekâs pay when Iâm working for Mr. Reeves,â I said.
âWhich is like telling me that Iâll