you didnât tell me?â
âI told him and he said he had already heard about it from Simmy Long, and he wasnât sure how legitimate it was.â Stubby had started up the stairs and had his hand on the doorknob.
âFreddy probably told you that so you wouldnât tell me,â I said. âHe canât dance with me and he canât sing with me, and he knows it.â
âNo, not Freddy,â Stubby said. âSimmy said there was something wrong with the deal. He said Mr. Reeves was going around asking people to come to the auditions, but he wanted them to keep it quiet. Simmy doesnât trust white men who go around telling you to keep things quiet.â
âLook, Freddy is a dancer, and Simmy is a dancer,â I said.âWeâre all out here looking for a place to perform. Neither one of them wants to give me a hand up. You think we should ask Jack about it?â
âCouldnât hurt,â Stubby said.
I was getting excited and trying not to get excited at the same time. Having an audition at Almackâs, with Pete on my side, sounded like a good deal, even though there was no way under the sun that I wanted to work for Peter Williams. But any time I had a chance to show people how well I danced, it was a good thing. People remember talent. They talk about fiddlers they heard four and five years ago, or singers they went to hear when they were young. If I could show a theater owner what I could do, it had to be a good thing.
There were some beans left over from the night before, and I put them in a pot with some water and a little fatback and started heating them up. Stubby asked me if I wanted him to cook the fish filets heâd brought from the docks, and I told him I didnât mind one way or the other, and he said he wouldnât cook them but I knew he would. He couldnât stay out of a kitchen if his life depended on it.
By the time Jack got home, I had almost changed my mind about telling him about the tryouts or the theater opening again. The truth was I didnât want anything to be wrong with it. Knowing Jack, I knew he would find something bad to say. The man could find fault with a newborn baby.
âYou have to have three things to open up a theater,â Jack said, washing his hands at the washstand. âYou need somebody with money behind you is the first thing. Money is like oilâit gets the machinery going. If this fellow Reeves had any legitimate money, he wouldnât be sneaking around in the dark. So the money heâs sniffing out has got to be dirty. Nothing wrong with that, but you got to know it, so I put it on the table.
âThe second thing you need is a theater.â
âHeâs got that little place over the Playhouse,â I said. âThe one that got closed down before.â
âHeâs got that place, but itâs closed down. It might as well not exist unless he can bribe somebody in the city to get him a license,â Jack said. âSo weâre back to money again. The third thing you need is a blanket to put over everybodyâs head so they donât see whatâs going on.â
âYou donât know for sure that something shady is going on,â I said.
âIf Pete Williams is involved, and this Reeves fellow, and theyâre talking about keeping things quiet, I know thereâs something shady going on,â Jack said. âYou can go on and try out for the dancing, but keep your eyes open. Donât let your eyes get bigger than your belly.â
Jack was right about me being so excited I didnât want to see anything wrong. But it was hard for a dancer to make aliving. The Irish dancers enjoyed themselves, and sometimes, if they were good enough, they were asked to come to parties and celebrations. But they only made a few dollars when they came, unless someone threw them a few coins. Once in a while there would be a contest and the best dancer would get a