from a poster at the gates and happiness, excitement and expectation left her; the name of the man she had seen for three years at every breakfast as he cut the loaf of bread or stirred his cup of tea, the man her sister had married, blew out at her from the crumpled paper. She read the poster twice: âDroverâs Appeal Fails.â I ought to go back to Milly, she thought. I oughtnât to go to the meeting. Peter, Bill, Ginger, Frank. She stood on the pavement and rubbed the kerb with her foot. Terry, Herbert, Arthur, Joe. She had met them all with Drover. I must go home. Milly will be desperate. But another name fell into the balance, âMr Surrogateâ.
Milly never liked Jim taking me to the meetings. Milly loved him. Milly was jealous. A cold wind swept the pavement, bearing a scrap of silver paper from a chocolate box across the lamplight. Milly loved him. Kay Rimmer hugged herself for warmth and thought of love, her orange lips parted, her sisterâs misery fighting in her face with excitement, expectation, the touch of a man in darkness. Of course I must go home, but she dropped the last name, âJulesâ, softly and secretively.
In the shop windows where a light still burned, her face, as she quickly passed, was momentarily reflected across the bedroom slippers and the ready-cooked meats, fierce in the defence of happiness. There was ferocity even in her tread, light and quick, like an animal pacing the cave-mouth in protection of its young. Milly loves him. But she flashed to the help of her happiness breathing with weak trust in the darkness. The poster means nothing at all. Theyâll reprieve him. He isnât a murderer.
At the end of the street a man was waiting; she thought at first, because he was in shadow, that he was a stranger. Then she thought that he might be Jules. When she was twenty yards away she recognized Jim Droverâs brother. She watched him with enmity as he stood in his dark clothes, one thin hand holding an attaché case; she knew that he was waiting for her.
âYouâve seen it?â
âYes.â
âWhere are you going?â
âIâve got a meeting, Conrad.â Hopelessly happiness cried to her, gaiety and amusement. She said weakly: âI suppose I ought to go home.â
âIs Milly alone?â
âYes.â
He said: âI donât see why you need go home. Iâll go. You donât know my brother as I did. Milly and I can talk.â He leant against a shop front and behind him she saw disappearing into a dim interior a long avenue of second-hand coats. âI was at the court all day.â She looked at him quickly, for the thought had come to her: he is going to cry. People will stop and stare at us. But his face was no whiter than it always was; the nerves had twitched in just that way as long as she had known him. Pale, shabby, tightly strung, he had advanced from post to post in his insurance office with the bearing of a man waiting to be discharged. While she watched him she lost the sense of his words and she had no idea of his meaning when he said: âA stupid joke.â He asked her: âHave you got people to sign the petition?â
She repeated âPetitionâ and he became nervously angry, clasping his attaché case. âSomethingâs got to be done. Thereâs to be a petition.â
She explained: âBut I couldnât ask people at the works. I couldnât let them know it was Millyâs husband.â With pale asperity he prepared a dagger thrust: âYou wonât do a little thing,â but her appearance daunted him. Behind her were all the machines of the factory. With orange lips and waved hair she fought their uniformity and grey steel, but she was as one with them as a frivolous dash of bright paint on a shafting. âThe manager wouldnât like it. Heâd sack me when he got a chance.â
It was not cowardice but realism that spoke.