crush, of which she'd been secretly ashamed. After all,
she'd told herself, she was far too old for fairy-tales. Yet now, it
seemed, incredibly, as if the fairy-tale might be coming true.
With a sigh, Sandie pushed back the blankets and eiderdown, and
swung her feet to the floor. She had to do something positive to
relax herself—switch her mind to a more tranquil path, or she
wouldn't close her eyes all night, and would be fit for nothing in the
morning—certainly not to undergo her first trial as Magda Sinclair's
accompanist, which had been mentioned over dinner, or to make
any attempt to play Crispin's Elegy.
She was still dubious about her technical ability to interpret the
composition, but it was obviously important to Crispin that she tried
at least, and she wanted to please him, so what choice did she have?
She put on her dressing gown and let herself quietly out of her
room. The wall-lights were still burning as she made her way to the
main gallery and looked over the banister rail down into the hall.
The house was totally quiet, and clearly everyone was in bed,
although there were lamps on downstairs as well. A deterrent to
burglars, perhaps, Sandie thought, as she trod silently down the
stairs, wondering if there could really be such a menace in this
remote and peaceful spot.
The music room was in complete darkness as she let herself in,
closing the door quietly behind her. Jessica had said the room was
soundproof, and she hoped it was true. Music was the only way to
relax herself, but the last thing she wanted was the rest of the
household roused because of her own sleeplessness.
She would play safe by playing softly, she resolved. She walked to
the huge window and stood looking out over the lake. The rain
seemed to have eased at last, and a strong golden moon was in
evidence between ragged, racing clouds, its light spilling across the,
restless waters.
'Sandie caught her breath in delight. No need to think too hard about
a choice of tranquilliser, she thought, as the first clear, gentle notes
of Debussy's Clair de Lune sounded in her mind.
As she turned away to switch on the overhead light above the piano,
her attention was caught fleetingly by another flicker of illumination
moving fast on the other side of the lake. Car headlights, she
realised, and at this late hour the driver was probably counting on
having the road to himself.
She sat down at the keyboard, flexed her fingers, and began to play,
feeling the tensions and doubts of the past twenty-four hours
dissolving away as the slow, rippling phrases took shape and clarity
under her hands. As she played, she became oblivious to everything
but the mood of peace being engendered within her.
The last notes sounded delicately, perfectly, and were overtaken by
silence. Sandie lifted her hands from the keys with a little sigh, and
looked at the window for a last glimpse of the moonlight on the
water. And saw with heart-stopping suddenness that she was no
longer alone.
Reflected plainly in the glass was the tall figure of a man, standing
motionless in the doorway behind her.
For a moment Sandie stared with fascinated horror, a hand creeping
to her throat. Someone had broken in, she thought. All those lights
left burning had been no deterrent at all—just a waste of electricity.
And even if she could summon up a scream, which was doubtful, as
the muscles of her throat felt paralysed, who would hear it—from
this of all the rooms at Killane?
'My God, I don't believe it!' His voice, low, resonant with a faint stir
of anger just below the surface, reached her. 'I thought you'd have
more bloody sense...' A small choked cry escaped her at last, and
she twisted round on the piano stool to face him, her last, absurd
hope that it might after all, by some miracle, be Crispin seeking her
out killed stone dead.
He took a swift stride forward, his face darkening with furious
incredulity as they took their first