caves that were used by Neanderthals 40,000 years ago or more, and by others generations later. Among other relics and monuments, there is a rock carving of a reclining Hercules from the Seleucid period, a Parthian carving depicting fire worship, a Sassanian bridge, some remains of a building from the Mongol period, a seventeenth-century caravanserai , and not far away, some fortifications apparently dating from the time of Nader Shah in the eighteenth century.
Many historians have been suspicious about the story of the false Bardiya. The Bisitun carving is a contemporary source, but it is plainlya self-serving account to justify Darius’s accession. It is confirmed by Herodotus and other Greek writers, but they all wrote later and would naturally have accepted the official version of events, if other dissenting accounts had been stamped out. Darius was not a natural successor to the throne. He was descended from a junior branch of the Achaemenid royal family, and even in that line he was not pre-eminent—his father was still living. Could a Magian priest have successfully impersonated a royal prince some three or four years after the real man’s death? Is it not rather suspect that Darius also discredited other opponents by alleging that they were impostors?
If the story was a fabrication, Darius was certainly brazen in the presentation of his case. In the Bisitun inscriptions, the rebel leaders are called ‘liar kings’, and Darius declares, appealing to religious feeling and Mazdaean beliefs about arta and druj :
[…] you, whosoever shall be king hereafter, be on your guard very much against Falsehood. The man who shall be a follower of Falsehood—punish him severely […]
and:
[…] Ahura Mazda brought me aid and the other gods who are, because I was not disloyal, I was no follower of Falsehood, I was no evil-doer, neither I nor my family, I acted according to righteousness, neither to the powerless nor to the powerful, did I do wrong…
and again:
This is what I have done, by the grace of Ahura Mazda have I always acted. Whosoever shall read this inscription hereafter, let that which I have done be believed. You must not hold it to be lies.
Perhaps Darius protested a little too much. Another inscription in Darius’s words, from another site, reads:
By the favour of Ahura Mazda I am of such a sort that I am a friend to right, I am not a friend to wrong. It is not my desire that the weak man should have wrong done to him by the mighty; nor is it my desire that the mighty man should have wrong done to him by the weak. What is right, that is my desire. I am not a friend to the man who is a lie-follower […] As a horseman I am a good horseman. As a bowman I am a good bowman both afoot and on horseback… 16
The latter part of this text, though telescoped here from the original, echoes the famous formula from Herodotus and other Greek writers, that Persian youths were brought up to ride a horse, to shoot a bow, and to tell the truth. Darius was pressing every button to stimulate the approval of his subjects. Even if one doubts the story of Darius’s accession, the evidence from Bisitun and his other inscriptions of his self-justification and the use of religion by both sides in the intensive fighting that followed the death of Cambyses nonetheless stands. It is a powerful testimony to the force of the Mazdaean religion at this time. Even the suppressors of the religious revolution had to justify their actions in religious terms. Although Darius by the end reigned supreme, the inscriptions give a strong sense that he himself was nonetheless subject to a powerful structure of ideas about justice, truth and lies, right and wrong, that was distinctively Iranian, and Mazdaean.
The Empire Refounded
Darius’s efforts to justify and dignify his rule did not end there. He built an enormous palace in his Persian homeland, at what the Greeks later called Persepolis (‘city of the Persians’)—thus starting afresh,