differentreligions. As we have seen, there probably was some considerable plurality of belief within the broad flow of Mazdaism at this time. But it seems more likely that the plurality was socially vertical rather than horizon-tal—in other words, a question of geography and tribe rather than social class. Perhaps an earlier, pre-Zoroastrian tradition of burial still lingered and the elevated position of all the royal tombs was a kind of compromise. Half-way between heaven and earth: itself a strong metaphor. Around the tomb of Cyrus lay a paradise; a garden watered by irrigation channels (our word paradise comes, via Greek, from the Old Persian paradaida , meaning a walled garden). Magian priests watched over the tomb and sacrificed a horse to Cyrus’ memory each month. 14
Cyrus had been a conqueror, but a conqueror with an imaginative vision. He was at least as remarkable a man as the other conqueror, Alexander, whose career marks the end of the Achaemenid period, as that of Cyrus marks the beginning. Maybe as a youth Cyrus had a Mazdaean tutor as remarkable as Aristotle, who taught Alexander.
Religious Revolt
Cyrus was succeeded by his son Cambyses (Kambojiya), who extended the empire by conquering Egypt, but in a short time gained a reputation for harshness. He died unexpectedly in 522 BCE , according to one source by suicide, after he had been given news of a revolt in the Persian heartlands of the empire.
An account of what happened next appears on an extraordinary rock relief carving at Bisitun, in western Iran, about twenty miles from Kermanshah, above the main road to Hamadan. According to the text of the carving (executed in Old Persian, Elamite and Babylonian) the revolt was led by a Magian priest, Gaumata, who claimed falsely to be Cambyses’s younger brother, Bardiya. Herodotus gives a similar version, saying that Cambyses had murdered the true Bardiya some years earlier. The revolt led by Gaumata seems to have drawn force from social and fiscal grievances, because one of his measures to gain popularity was to order a three-year remission of taxes—another to end military conscription. 15 Pressure had built up over the decades of costly foreign wars under Cyrus and Cambyses. ButGaumata also showed strong religious enthusiasm or intolerance, because he destroyed the temples of sects he did not approve of.
An Iranian revolution, led by a charismatic cleric, seizing power from an oppressive monarch, asserting religious orthodoxy, attacking false believers, and drawing support from economic grievances—in the sixth century BCE . How modern that sounds. But within a few months, Gaumata was dead, killed by Darius (Daryavaush) and a small group of Persian confederates (a killing that sounds more like an assassination than anything else). The carving at Bisitun was made at Darius’s orders, and it presents his version of events, as put together after he had made himself king and the revolt had finally been put down. The carving itself says that copies of the same text were made and distributed throughout the empire. And what a revolt it had been—Babylon revolted twice, and Darius declared that he fought nineteen battles in a single year. It was really a series of revolts, affecting all but a few of the eastern provinces of the empire. The Bisitun carving illustrates this by showing a row of defeated captives, each representing a different people or territory. Whatever the true nature of the rebellion and its origins, it was no simple palace coup, affecting only a few members of the elite. It was just the first of several religious revolutions, or attempted revolutions, in Iran’s history, and it was no pushover.
Bisitun was chosen for Darius’s grand rock-carving because it was a high place, perhaps already associated with the sacred, close by where he and his companions had killed Bardiya/Gaumata. The site at Bisitun is a museum of Iranian history in itself. Aside from the Darius rock relief, there are