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that Death itself which was believed to come for those of royal birth in the shape of a great fiery bird visible only to the dying would be tempted to stay in the great monument and dwell there and not return to the depths of the sky with the Emperor clutched in its talons of flame.
    ‘Accordingly the Emperor caused a great monumental palace to be built on an island in the centre of a great circular lake on the edge of the plains and the ocean, some way from his capital city. The palace was fashioned in the shape of a mighty conical tower half a hundred storeys tall. It was filled with every imaginable luxury and treasure the empire and kingdoms could provide, all secured deep within the furthest reaches of the monument, where they would be hidden from the common thief yet visible to the fiery bird when it came for the Emperor.
    ‘There too were placed magical statues of all the Emperor’s favourites, wives and concubines, all guaranteed by his holiest holy men to come alive when the Emperor died and the great bird of fire came to take him.
    ‘The chief architect of the palace was a man called Munnosh who was renowned throughout the world as the greatest builder there had ever been, and it was his skill and cunning that made the whole great project possible. For this reason the Emperor showered Munnosh with riches, favours and concubines. But Munnosh was ten years younger than the Emperor, and as the Emperor grew old and the great monument neared completion, he knew that Munnosh would outlive him, and might speak, or be made to speak of how and where the great cache of riches had been placed within the palace, once the Emperor had died and was living there with the great bird of fire and the magically alive statues. Munnosh might even have time to complete a still greater monument for the next King who ascended to the Imperial throne and became Emperor.
    ‘With this in mind, the Emperor waited until the great mausoleum was all but finished and then had Munnosh lured to the very deepest level of the vast edifice, and while the architect waited in a small chamber deep underground for what he had been promised would be a great surprise, he was walled in by the Imperial guards, who closed off all that part of the lowest level.
    ‘The Emperor had his courtiers tell Munnosh’s family that the architect had been killed when a great block of stone fell on him while he was inspecting the building, and they grieved loudly and terribly.
    ‘But the Emperor had misjudged the cunning and wariness of the architect, who had long suspected something just like this might happen. Accordingly, he had had constructed a hidden passage from the lowest cellars of the great monumental palace to the outside. When Munnosh realised he had been immured, he uncovered the hidden passage and made his way to the ground above, where he waited until the night and then stole away on one of the workers’ boats, gliding across the circular lake.
    ‘When he returned to his home his wife, who thought she was a widow, and his children, who thought they were without a father, at first thought he was a ghost, and shrank from him in fear. Eventually he persuaded them that he was alive, and that they should accompany him into exile, away from the Empire. The whole family made their escape to a distant Kingdom where the King had need of a great builder to oversee the construction of fortifications to keep out the savages of the wastelands, and where everybody either did not know who this great architect was, or pretended not to for the sake of the fortifications and the safety of the Kingdom.
    ‘However, the Emperor heard that a great architect was at work in this distant Kingdom, and, through various rumours and reports, came to suspect that this master builder was indeed Munnosh. The Emperor, who was by now very frail and elderly and near death, ordered the secret opening-up of the great mausoleum’s lower levels. This was done, and of course Munnosh was not