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beige brocade, her slippers matching, in the very latest fashion; her braid was a simple affair, incorporating pink and green ribbons in the heraldic style of centuries of service to aristocracy. She was of that class of servants, clearly, born, not hired, to the lifelong duty of a particular house to which she was possibly, though unofficially, related. He knew the type — the sort of woman, he thought, who deserved both respect for her position and understanding for her passionate devotion to the premises.
    "This is the outer section, nand' paidhi, which serves all the formal functions, with the state dining room, the reception salon, the post-of-guard, which has been modernized___The inner rooms are the master bedrooms, each with bath. The bedrooms all give out onto a circular salon surrounding the private dining hall ..."
    Hand-loomed carpets and needlework drapes. The paidhi was never, in the interests of his job, a cultural illiterate, and the areas of his brain that didn't at the moment have all they could handle in etiquette, security and the animal instincts of balance, were respectfully absorbing all the nuances of regional and period design around him. Mospheira imported handmade as well as synthetic fabrics, some very expensive, but Mospheira had seen this kind of work only once, a single sample in a glass case in the War Museum.
    And in this apartment, far more extravagant than Tabini's own, one walked on such carpets. In the reception salon next to the entry, one looked out clear glass windows past priceless draperies, intricately figured in muted gold, to the same view that Tabini's apartment enjoyed next door: the tiled roofs of the historic Old City spread out below the hill, the blue range of the Bergid — scantly visible on this stormy evening, beneath gray and burdened clouds. Wind, rain-laden, breathed through the apartment from open windows and hidden vents alike. He'd transited climates as well as provinces, begun to feel summer was decidedly over, and, now, felt as if he'd skipped across months and come in on another spring, another world, a situation months, not days, removed.
    The paidhi was a little giddy. Doing surprisingly well, considering. He wasn't sorry to have the tour. He'd grown not merely security conscious but security obsessive in recent days. He wanted to know the lay of the place, and whether there were outside doors, and whether a footfall echoing from one direction was surely a servant and from the other potentially an intruder.
    "Are there other outside doors?" he asked. "Even scullery exits?"
    "All external exits are to the foyer," Banichi said. "Very secure."
    "There have been extensive revisions in the early part of this century," Saidin said. "You'll notice, however, that the stone and the wood matches exactly. Lord Sarosi did personal research to locate the old quarry, which presently supplies stone for other restorations within the Bu-javid, including the new west portico…"
    The rest passed in increasing haze — the salon, the solarium, the bedrooms, the dining area. The staff, all women, so far as he saw, appeared and vanished discreetly, opened doors and closed them as the head of staff silently directed, turned on lights and turned them off again, whisked imaginary dust off a sideboard and straightened a tasseled damask runner — forty-nine additional and mostly invisible servants, a propitious number, Bren was sure, to remain, safeguarding the historic family premises and maintaining decorum in the face of human presence.
    And everything spoke of a mathematical calculation underlying the decor — the eye learned to pick it out, down to the color and number of the dried flowers in the frequent and towering bouquets.
    Every measure of the place was surely propitious for the lady's family, down to the circular
baji-naji
figure centered in the beautifully appointed formal dining area: Fortune and Chance, chaos in the center of the rigid number-governed design of the