possible, but I think weâre going to have to draw the line at fire-breathing.â
âAw, Sirâ?â
âNo, David, Iâm sorry. Anything you could devise would be highly dangerous. Just think what would happen if the worm caught fire with people inside it. It might be possible to fake smoke using dry ice or something, but thereâs to be no fire. Is that understood?â
âYes, Sir.â Trot looked crestfallen.
âI thought he was here in an advisory capacity,â hissed Neil Atkinson.
The teacher looked up sharply. âHe is, and he has sharp ears, and his advice to you is to keepcomments of that sort to yourself. All right?â
âYes, Sir.â
From the start of the session, Lisa had struggled silently with herself. A part of her wanted to withdraw from the play, or at least from the worm, while another part â a dark, submerged part of herself whose existence she hadnât even suspected a week ago â urged her in excited whispers to say nothing: to hold on to her place inside the worm and see where it might lead her. And this had nothing to do with Trot. She was fond of him, of course, but this was something else; something altogether darker, more compelling. And the dark part won. When twenty to three rolled round and the teachers brought the session to an end, sheâd said nothing.
Iâll do it, she cried inwardly, and a tingle ran down her spine into her tummy-muscles. When Fliss approached her gingerly at home-time she seemed her old self, and they chatted as they dawdled up the drive. Only Lisa knew sheâd given in to something dark and strong, and neither girl knew their paths were set to diverge, or that when they came together again it would be as enemies.
CHAPTER THIRTEEN
WHEN FLISS GOT to Trotâs at twenty-five past seven, Lisa was already there. Flissâs arms ached from carrying the curtain. She let it fall to the floor. Ellie-May and the two boys went down on their knees to look and feel. âItâs terrific, Fliss!â cried Gary.
Ellie-May lifted a fold, rubbed it against her cheek and let it slip through her fingers. âYeah, terrific. Itâs shiny, like it might be covered with slime or something, and the colourâs exactly right. How long is it?â
They measured, and the curtain proved to be more than ten metres long. Lisa pulled a face. âPity. The real worm was twice as long.â
âYes,â said Fliss, âbut remember itâs very wide.If we cut it in two lengthways and stitch the halves together weâll still have plenty of width and itâll be just the right length.â
âWhoâs going to do all this stitching?â asked Gary. âIâm useless at sewing.â
âNo problem,â Trot told him. âMy mumâs volunteered to help. All we have to do is tack it more or less as we want it and sheâll stitch it properly on the machine. Letâs get started.â
It wasnât nearly as easy as it sounded. Their lengthways cut was a bit wavy and it took ages to fasten the two pieces together, even with Trotâs big tacking stitch. Then they had to drape the slippery material over the wormâs neck and body and mark where theyâd attach the tapes which would be knotted under the wormâs belly to fasten the skin to the frame. When that was done, they spread the fabric on the floor and took turns sewing on the tapes in such a way that they wouldnât be visible to an audience. It was twenty past nine by the time theyâd finished, and theyâd done nothing with the fifteen metres of material which would form the monsterâs tail. âLeave that,â said Trot. âMy mumâs clever. Sheâll figure out a way to cut and stitch so it tapers to a nice sharp tip.â
âLetâs try it out,â suggested Gary. âFliss can tie the tapes, and the end can just trail for now like a peacockâs tail.