graves?â I asked, searching for tombstones.
âThey are underground, of course.â Verushka laughed. âThe square blocks of marble you see in the grass? These are the entrances to the vaults. There are dozens of tombs beneath the ground. It is a village of the dead.â
âHow can I get down there?â I asked, thrilled to find a way beneath the streets.
âYou cannot. Only the families of the dead are allowed inside the Marble Cemeteryâand no one has been buried here for many years. But you can step onto the fire escape if you would like a better look.â
I opened the storeroom window and was struck by a blast of icy wind. The fire escape was swinging from side to side. I glanced back at Verushka, who shook her head in disappointment.
âYou cannot catch fish if you are afraid of the water,â she chided me.
I hit my head on the windowsill as I crawled onto the fire escape, and it took a few moments for the dizzinessto pass. Once I could focus on the graveyard below, I found it hard to imagine that so impressive a space could remain hidden in the middle of Manhattan. The grass was a surreal shade of green one sees alongside Scottish castles, the color made more vivid by the dreariness of the surroundings.
As I gaped in amazement, the unmistakable sound of a key scraping against a lock echoed through the cemetery. From the fire escape, I could see everything but the small section that lay beneath my feet. Dropping to my knees, I peered through the iron bars and caught sight of someone opening the gate that hid the graveyard from the bustle of Second Avenue. A relative of the dead, I assumed at first, but there was something about the personâs size and the unusual color of her hair that almost knocked me off balance and over the side of the fire escape. The gate swung shut and the person disappeared from view. Though I hadnât seen her face, by the time I crawled back inside the storeroom, I was convinced that the person in question was none other than Kiki Strike.
âThere was a girl in the cemetery,â I whispered to Verushka.
âHow odd,â she remarked, showing no sign of surprise.
HOW TO CATCH A LIE
One of the most important skills you can learn is how to recognize a lie when you hear one. Over the years, Iâve encountered enemies who tried to lead me astray and imposters who wanted to swindle me. In each case, Iâve been able to see through their deceptions, and I can assure you that the truth did not set them free.
Identifying a lie is not always easy. As you may have noticed, peoplewho make a habit of lying are often quite good at it. But if you suspect youâre being hoodwinked, donât say a word. Just pay attention. The following clues should tell you if someoneâs trying to pull the wool over your eyes.
Listen to Her Voice
A liar is a person with something to hide. And no matter what that something may be, itâs probably weighing heavily on her mind. As a result, a liar must make an effort to avoid giving too much away. Sheâll speak more slowly and pause before answering questions. As she grows more anxious, her voice may start to sound higher. When she does respond, sheâll be careful not to offer specific information and may say something vague like, âI couldnât have murdered Hank. I was busy that day.â
Study Her Face
Most people are terrible actors. A liar may have her story straight, but if she canât control her face, sheâll be as easy to spot as a soap opera star in a Shakespeare play. A person whoâs telling the truth will laugh, grimace, or cry when appropriate, but a liar may have to think about it first. She may even be concentrating so hard on what to do that sheâll blink less and hold her head unnaturally still.
See if She Squirms
When it comes to body language, there are two types of liarsâthe fidgeters and the control freaks. The fidgeters canât sit