athlete who doesn’t like working for his bread and butter.”
The cool social calculation in the words was pure Elena. She was a stunningly beautiful woman whose figure had only been improved by having three children. She was shrewd, opinionated, socially ambitious, and arrogant in the way that only a gorgeous woman with a few hundred million in the bank could be.
In the quiet of her own mind, Kayla admitted that she would never like Elena, didn’t really trust her, but was fascinated by her just the same.
Then there was the fact that Elena was a loving mother to three energetic, utterly confident children. Raised just short of the Brazilian slums herself, Elena had a gut-deep understanding of the difference between poverty and wealth, family and standing alone against the world. The children were home-schooled, as the public schools in America simply weren’t equipped to handle kidnap targets.
No matter what Kayla might think of Elena as a person, she respected her client’s dedication to her children.
“Where are the kids?” Kayla asked.
She looked around the grounds, half expecting to see Miranda or Xavier or Jonathan peering out from behind one of the marble columns in front of the pool house. In truth, she visitedElena more often than business required because she enjoyed the children.
“I asked Maria to keep them in the house for a few minutes, while we conduct my business,” Elena said.
Oooookay, Kayla thought. No small talk.
“What do you need?” she asked, pulling out a small digital recorder. Elena’s directives rarely came in twos or threes.
“Several things.” Elena lowered her chin and looked at Kayla over the top of her sexy Italian sunglasses. “Are the finances all in order for the Desert Art Week?”
“I don’t know about the rest of the festival, but everything is ready for your event. I wish we could call it something besides ‘The Fast Draw.’” Kayla kept her voice neutral, but it was an effort. If I was a self-respecting painter, I’d sharpen the end of a brush and fall on it before I entered that contest. I don’t care if first prize is twenty-five grand. There’s something belittling about the whole thing.
Elena shrugged. “I didn’t choose the name. I simply supplied the money and the place. The arts are very important.”
Especially for the socially ambitious, Kayla thought sourly. Social climbing was one of Elena’s less charming traits.
Hey, if you’d been raised next door to a slum, you’d want to be accepted by the high and mighty, too, Kayla told herself. You’re just jealous of her looks.
They’re worth being jealous of.
With an effort Kayla dragged her mind back to the Fast Draw event, which was part of an annual art festival conducted to raise funds for the Scottsdale Desert Museum. Thirty landscape painters had been invited to paint the same subject in a two-hour timed contest. This year the Bertones had made quite an impression by offering their estate as the painting site and promising to purchase the top three canvases. Then they had doubled the total prize money to fifty thousand.
The local press had gone gaga. Not only was Elena Bertone ravishing and intelligent and a sublime hostess, she was incredibly generous too. Definitely the best thing to happen to Scottsdale since reliable tap water.
“The Fast Draw is the name they’ve used for years,” Elena continued. “I’m not ready to change that tradition yet. Have you done everything I required?”
Kayla didn’t have to check her notes. The Bertones were far and away her most important client. The fact that her boss, Steve Foley, had given the Bertones exclusively to her a few months ago still amazed her. Maybe he’d guessed that she was mentally packing up and heading out for greener employment pastures.
“The funds are all in the prize account,” Kayla said. “I’ve arranged for a commercial sign painter to do the presentation checks so that they’ll show up in the press