In the Moon of Red Ponies: A Novel Read Online Free PDF Page A

you drove out with.”
    “You lost me.”
    “No matter what you guys are getting paid, if I was you, I’d give the money back.”
    “Yeah, I guess that’s good to know. But I got no idea what you’re talking about,” the man said.
    “Maybe I got you confused with somebody else.”
    “Yeah, maybe you do,” the man said.
    Johnny watched the man with roses and parrots tattooed on his arms go out the door and cross the street, then walk down an alley, where a car was parked. The man walked gracefully, light-footed, like a prizefighter, his back a triangle of sinew and muscle. Just before he reached the car, a Firebird, he turned and looked back at the bar.
    When Johnny got back home, he strung tin cans on wires around his house and removed a box from under his bed containing a bowie knife that had been forged from a car spring, and a trade hatchet, with an oak handle and a half-moon hook on the head, given to him by his grandfather. He went into his toolshed and ground the hatchet on an emery wheel, then sharpened both it and the bowie knife on a whetstone and returned to the house.
    The day was growing warmer, and through the window he could see flies hatching out of the reeds on the riverbanks, drifting onto the riffle, where rainbow trout popped them as soon as they touched the surface. He fell asleep in a chair on the porch and thought he heard dry thunder on the far side of the mountains that ringed his land.
     
    EVERY DEFENSE ATTORNEY has clients who enter his life on a seemingly temporary basis, then become the human equivalent of chewing gum on the bottom of a shoe. Celebrity defense attorneys who appear regularly on CNN talk shows may lead glamorous lives, but the average practitioner of criminal law has a clientele with whom he does not want to be seen in public. These include grifters of every stripe, jackrollers, pimps, paperhangers, drug dealers, Murphy artists, cross-dressing prostitutes, court-assigned women who kill their children, and lifetime recidivists who are convinced they are criminal geniuses and try to outwit the system by lying to their attorneys.
    Private investigators deal daily with the same bunch, although occasionally there’s one who doesn’t fit into the box. Temple called me that afternoon. “It’s Amber Finley again,” she said. “She’s in on a drunk and disorderly. She also hit a cop. Actually, she threw her underwear in his face.”
    “Why is she calling you?”
    “She’s burned herself with every attorney in town. At least with the good ones,” she replied.
    “She wants me to represent her?”
    “She’s not a bad gal, Billy Bob.”
    “Answer is no.”
    “You pretty busy now?”
    “She can call her father. I don’t want to get involved.”
    “She says she knows why Johnny American Horse was carrying a pistol.”
    “How does she know anything about Johnny?”
    “They’ve been seeing each other. At least that’s what she says.”
    “Her old man must love that.”
    “You want me to tell her to get lost?”
    A few minutes later I walked over to the sheriff’s department and a deputy escorted me to a holding cell, where Amber Finley sat on a metal bench, her legs crossed, looking at the wall. She was around twenty-five and wore beat-up cowboy boots, jeans hitched tightly around her hips, a Harley T-shirt, and long earrings with blue stones in them. Her hair was blond and cut short, her eyes an intense blue. Even though she was hung over, her face still possessed the lovely features and complexion that Hollywood had idealized and turned into a national icon in the Technicolor films of the forties and fifties. But Amber Finley’s mind-set was far removed from that earlier, more innocent time.
    She was a biker girl one night, a cowgirl the next. She drank in busthead bars and was probably the wet dream of the men and college boys who hung in them. But the clothes she wore and the life she led were a self-abasing deception. She spoke French and German, had an IQ of