the fast lane. It was rush hour. A motorist trailing us in a rusted subcompact blasted his horn. My father leaned out the window and swore at him. The honking stopped. âWhen they see Iâm a laaady, they pipe right down,â she said.
We merged onto a highway, and I gazed out the window at the dilapidated industrial back lots flying by, a few smokestacks belching brown haze, boarded-up warehouses with greasy windows, concrete highway dividers slathered in graffiti. We passed through a long stretch of half-finished construction, grasses growing high over oxidizing rebar. Along the shoulder, billboards proliferated, shiny fresh faces flashing perfect teeth, celebrating the arrival of post-Communist consumption: Citibank, Media Markt, T-Mobile, McDonaldâs. Big balls of old mistletoe parched in the branches of trees. Along the horizon, I could make out the red-roofed gables of a distant hamlet.
Half an hour later, we entered the capital. My father threaded the monster vehicle through the tight streets of downtown Pest, shadowed by Art Nouveau manses nouveau no longer, facades grimy and pockmarked by a war sixty years gone. A canary-yellow trolley rattled by, right out of a childrenâs book. We drove past the back end of the Hungarian Parliament, a supersized gingerbread tribute to the Palace of Westminster. In the adjacent plaza, a mob of young men in black garb and black boots were chanting, waving signs and Hungarian flags.
âWhatâs that about?â I asked.
No answer.
âA demonstration?â
Silence.
âWhatââ
âItâs
nothing
. A stupid thing.â
Then we were through the maze and hugging an embankment. The Royal Palace, a thousand-foot-long Neo-Baroque complex perched on the commanding heights of Castle Hill, swung into view on the far bank of the Danube, the Buda side. My father swerved the camper onto a ramp and we ascended the fabled Chain Bridge, its cast-iron suspension an engineering wonder of the world when it opened in 1849, the first permanent bridge in Hungary to span the Danube. We passed the first of the two pairs of stone lions that guard the bridgeheads, their gaze stoical, their mouths agape in perpetual, benevolent roar. A faint memory stirred.
The camper crested the bridge and descended to the Buda side. We followed the tram tracks along the river for a while, then began the trek into the hills. The thoroughfares became leafier, the houses larger, gated, many surrounded by high walls.
âWhen I was a teenager, I used to ride my bicycle around here,â my father volunteered. âThe Swabian kids would say, âHey, you dirty little Jew.â â She lifted a hand from the wheel and swatted at the memory, brushing away an annoying gnat. âYaaas but,â she answered, as if in dialogue with herself, âthat was just a stupid thing.â
âIt doesnât soundââ I began.
âI look to the future, never the past,â my father said. A fitting maxim, I thought, for the captain of a vehicle without a rear window.
Growing up, Iâd heard almost nothing about the paternal side of my family. My father rarely spoke of his parents, and never to them. I learned my paternal grandfatherâs first name in 1967, when a letter arrived from Tel Aviv, informing us of his death. My mother recalled aerogrammes with an Israeli postmark arriving in the early years of their marriage, addressed to István. They were from my fatherâs mother. My mother couldnât read themâthey were in Hungarianâand my father wouldnât. My mother wrote back a few times in English, bland little notes about life as an American housewife: âBetween taking care of Susan, cooking, and housekeeping, Iâm very busy at home. ⦠Steven works a lot, plus many evenings doing âovertime.â â An excuse for his silence? By the early â60s, the aerogrammes had stopped.
I knew a few fundamentals. I
Marc Nager, Clint Nelsen, Franck Nouyrigat