This version was less romantic but had the merit of being true.
My interest in Patagonia survived the loss of the skin; for the Cold War woke in me a passion for geography. In the late 1940s the Cannibal of the Kremlin shadowed our lives; you could mistake his moustaches for teeth. We listened to lectures about the war he was planning. We watched the civil defence lecturer ring the cities of Europe to show the zones of total and partial destruction. We saw the zones bump one against the other leaving no space in between. The instructor wore khaki shorts. His knees were white and knobbly, and we saw it was hopeless. The war was coming and there was nothing we could do.
Next, we read about the cobalt bomb, which was worse than the hydrogen bomb and could smother the planet in an endless chain reaction.
I knew the colour cobalt from my great-auntâs paintbox. She had lived on Capri at the time of Maxim Gorky and painted Capriot boys naked. Later her art became almost entirely religious. She did lots of St Sebastians, always against a cobaltblue background, always the same beautiful young man, stuck through and through with arrows and still on his feet.
So I pictured the cobalt bomb as a dense blue cloudbank, spitting tongues of flame at the edges. And I saw myself, out alone on a green headland, scanning the horizon for the advance of the cloud.
And yet we hoped to survive the blast. We started an Emigration Committee and made plans to settle in some far corner of the earth. We pored over atlases. We learned the direction of prevailing winds and the likely patterns of fall-out. The war would come in the Northern Hemisphere, so we looked to the Southern. We ruled out Pacific Islands for islands are traps. We ruled out Australia and New Zealand, and we fixed on Patagonia as the safest place on earth.
I pictured a low timber house with a shingled roof, caulked against storms, with blazing log fires inside and the walls lined with the best books, somewhere to live when the rest of the world blew up.
Then Stalin died and we sang hymns of praise in chapel, but I continued to hold Patagonia in reserve.
2
T HE HISTORY of Buenos Aires is written in its telephone directory. Pompey Romanov, Emilio Rommel, Crespina D.Z. de Rose, Ladislao Radziwil, and Elizabeta Marta Callman de Rothschildâfive names taken at random from among the Râsâtold a story of exile, disillusion and anxiety behind lace curtains.
It was lovely summery weather the week I was there. The Christmas decorations were in the shops. They had just opened the Perón Mausoleum at Olivos; Eva was in good shape after her tour of European bank-vaults. Some catholics had said a Requiem Mass for the soul of Hitler and they were expecting a military coup.
By day the city quivered in a silvery film of pollution. In the evenings boys and girls walked beside the river. They were hard and sleek and empty-headed, and they walked arm in arm under the trees, laughing cold laughter, separated from the red river by a red granite balustrade.
The rich were closing their apartments for the summer. White dust sheets were spread over gilded furniture and there were piles of leather suitcases in the hall. All summer the rich would play on their estancias. The very rich would go to Punta del Este in Uruguay, where they stood less chance of being kidnapped. Some of the rich, the sporting ones anyway, said summer was a closed season for kidnaps. The guerillas also rented holiday villas, or went to Switzerland to ski.
At a lunch we sat under a painting of one of General Rosasâs gauchos, by Raymond Monvoisin, a follower of Delacroix. He lay swathed in a blood-red poncho, a male odalisque, cat-like and passively erotic.
âTrust a Frenchman,â I thought, âto see through all the cant about the gaucho.â
On my right was a lady novelist. She said the only subject worth tackling was loneliness. She told the story of an international violinist, stuck one