didnâtneed to get a biopsyâwhen she didâbecause Michael had been so obsessed with his fatherâs death for so long that the two of them, Norma and Michael, just couldnât deal with any more incoming. What Michael loves about the German soldiers is that they couldnât handle the war. Through them, Michaelâ
CALEB: Thereâs no satisfying X factor to life: people suffer and die, and thatâs it, but thatâs what Iâm interested in. Letâs get to life, not this evasion of life, not âescaping realityâ hunger. Maybe your friend thinks heâs gotten to something, but itâs personal and not universal.
DAVID: I couldnât disagree more. Youâre missing the entire point of art.
CALEB: I get what lifeâs about.
DAVID: Sometime soon I want to write a book where I talk to three guys around the corner from me: the owner of a French bakery who fled from Vietnam, an Iraqi guy who runs a mailing service, and the owner of the overpriced restaurant Kabul, who left Afghanistan.
CALEB: Thatâs a book Iâd read.
DAVID: Iâm sure I cartoonize you, too, but I think you cartoonize me as unaware of the world. I think of myself as political.
CALEB: Politically naive.
DAVID: Let me get to my point. Iâm also interested in whyhuman beings behave the way they doâhow could I not be? Youâre trying to take the position of âOpen it upâI want to hear about peopleâs lives.â Okay. Sometimes, though, my reaction is just âHeard it. Heard it. Tell me something new.â The endless complications of that soap opera you were spinning outâthis guy fucked that girl and that girl fucked this guyâwho gives a shit? I donât know these people. You know them; theyâre part of your life. Me, Iâm bored. You have to cut to the fucking chase: whatâs the point?
CALEB: Thatâs a legitimate response. You investigate abstract questions; you keep circling back to them. You want these serious epistemological and existential questions: Whatâs âtrueâ? Whatâs knowledge? Whatâs memory? Whatâs self? Whatâs other? Whatâs death? Iâll quote Gertrude Stein: âThere ainât no answer.â¦Â Thatâs the answer.â I want to ask questions that have substantive answers: Why do we kill? Why do we inflict pain? Why do we suffer? How can we stop suffering?
DAVID: And Iâd say the only way you can get at those questions seriously is to watch how you yourself think.
DAVID: A former student of mine is writing about her marriage to a Libyan Muslim. Sheâs a blonde beauty from San Diego. Her daughters wear the veil. She and her family live in the Research Triangle in North Carolina. Her nameâs Krista Bremer.
CALEB: Is she Christian?
DAVID: Not particularly.
CALEB: In name only?
DAVID: I guess.
CALEB: Because itâs illegal if sheâs not âof the bookâânamely, a Jew or a Christian.
DAVID: But donât be atheist.
CALEB: Or Hindu or Buddhist or Wiccan. When I worked in the United Arab Emirates I had to fill out paperwork, and my employers told me to check the âChristianâ box, even if I wasnât. Also, and I realize youâre more Jewish than meâ
DAVID: Iâm not really that Jewish.
CALEB: You were raised that way. In that one story, your stand-in uses an anti-Semitic slur, tells his father, and the father goes ape. I never had that.
DAVID: Youâre Jewish?
CALEB: Yeah.
DAVID: You are?
CALEB: Persian. My grandfather was born in Iran, though my father was born in Lebanon. Heâs Sephardic.
DAVID: Thatâs a major surprise. Not that it particularly matters, but with a name like Caleb Powellâ
CALEB: My fatherâs name, at birth, was David Jamil Mizrahi. He came to America when he was two.
DAVID: Hold the back page, as my father used to say.
CALEB: My grandfather, his dad, Jamil Mizrahi,