Thereâs a lot of truth in the things people wish they could take back.
Sure enough: âI wanted to tell you Iâm sorry, again.â
âItâs okay,â I say, waiting for this moment to be over. For us to move on.
âIâm gonna make it up to you. Getting off on the wrong foot like that.â
âYou donât have toââ
âYeah. I do. I want to. I will. So . . . friends?â
I say, brightly, âFriends! Great.â My smile is on full wattage. And it does its job. Andrew looks relieved.
âSo do you want to be blindfolded first? Or do you want me to start?â
âUm. You go.â I wantâI needâto see what he looks like, so Iâll know what to expect when itâs my turn. So I can glimpse what heâll see of me. I wish I could go a step further. See what my body looks like through outside eyes. Without the filter of my own head, and without the inner voice that mocks and shouts and hisses.
Andrew ties the blindfold around his head. In the sunlight, his wavy hair is the color of wet sand. It falls over the blue blindfold like one of those sand-in-a-bottle sculptures you can make at a kiosk in the mall. But not ugly.
Frankly, nothing about Andrew is ugly. Heâs not my usual typeâif one serious boyfriend counts as a typeâbut I like what I see. Heâs taller than me, and while heâs not made of muscle, he looks like he takes care of himself. Lastnight he was working the farm-boy thing in a T-shirt and faded jeans, but today heâs a little more dressed upâI guess because heâs in âpeer adviserâ mode. Heâs wearing a deep-green polo shirt tucked into a pair of khaki pants. And heâ
âUh, Sam? You have to say something.â
I feel my face flush.
Nice. Youâre checking him out, and he just wants to get on with it .
âSorry!â I say, with a little laugh that rings wrong in my ears. But thinking about how Andrew is cute in a different way than Marcus is cute has me doing exactly what I donât want to be doingâthinking about Marcusâand now Iâm feeling wobbly. Wobbli er . Itâs like Iâm walking a tightrope, and on one side is outer me and on the other is inner me, and if I fall, the whole circus tent is going to collapse.
Everythingâs already collapsed. Youâre delusional if you think otherwise.
âSorry,â I say again fast, almost to myself. I look in all directions and then choose the sidewalk that cuts around the side of the house, past the row of pine trees, heading toward the campus woods. âTurn to your right.â
Andrew swings right and almost walks into the lamppost at the foot of the stairs.
âWhoa, stop!â I run to his side, grabbing his arm. His bicep tightens under my grip like heâs surprised I touched him. I let go and step back, feeling even more flustered. âUm. Turn back to the left.â Andrew inches left. âA little more. A little more. Now walk straight.â
He takes a step, arms extended in front of him. Anotherstep. And another. Like each time, heâs not sure whether the ground will rise up to meet him. When we get into a rhythm, he starts making conversation. âSo, where are you from?â
âOutside Chattanooga,â I say. âYou?â
âNorth Georgia. Small town. You wonât know it. Trust me.â
We turn the corner and I start describing whatâs in front of us, like Dr. Lancaster instructed. âWeâre going around the side of the house. By the woods. Thereâs a big grassy field, and then a bunch of redbrick campus buildings. You can see the mountains in the distance.â
Perform at Your Peak is in North Carolina, which means my home is on the other side of those mountains. So is the ballet intensive Iâll start three weeks from today.
If they donât kick you out the moment they see you.
âThereâs a greenhouse to
Joanna Blake, Pincushion Press, Shauna Kruse