called Mannâs Woman, after all. If youâre going to tell the good times, you have to tell the bad times, too. Right?â I was full of more shit than a bag of Bandini.
Felina opened her cigar case, thinking. She took out a panatela and used a pair of curved silver scissors to behead the cigar. It was a strangely elegant gesture, feminine and masculine at the same time.
âYou donât eat lard, but you smoke?â
âThese, you donât inhale. My father taught me how to smoke. He was a cigar roller.â She produced a long wooden match and touched it to the head of the cigar, the flame just kissing the tip. A rich fragrance drifted up, a plume of spice and leather.
âIt smells good.â
âRomeo y Julieta. From Cuba.â She pronounced it Koo-ba, not Kyew-ba. âI taught Dick how to smoke cigars, too.â
âI read that. I liked that detail.â
âI just donât want it to look like ⦠Cristo⦠â
âLook like what?â
âI was a different person back then. I had bought into the L.A. scene. Drugs, parties. Lifestyles of the rich and famous. But living with Vernon Ash changed me. After a while, I knew that I had two choices: leave or die. Dick was the one who convinced me to leave him.â
âThat wasnât in the book,â I noted.
She nodded. âDick was a client of mine for sex and a client of Vernon for drugs.â
âWas that unusual?â
âNo. We had a few people like that. I got âem coming and Vernon got âem going.â She laughed nervously, puffing smoke. âThat was Vernonâs joke. Canât you see why I donât want toââ
âWait a minute. You were working while you were Ashâs girlfriend? He wasnât jealous?â
âAre you kidding? The agency I worked for catered to movie stars, athletes, Saudi money. Most of them used drugs. I was their connection to Vernon, and I was Vernonâs connection to them.â
âDid Dick Mann use a lot of drugs?â
âNo! A little coke here and there. Once in a while some âludes. He told me heâd tried Hot Shot before, but he didnât like it.â
âAnd Vernon got them for him?â
âOh, yes.â
I rubbed my eyes, trying to keep my voice steady. âFelina,â I said, âwhy didnât you put any of this down in the book?â
Felina opened her mouth, as if to say something defiant, but nothing came out. I waited. She shrugged. I tried another tack.
âGreat. Youâve got the love story down. Now we just have to add some of theâthe background. Okay?â
Like a little girl: ââKay.â
âI made a list of questions. Feel up to answering a few?â
She stared into a corner of the restaurant, where a plaster Madonna stood in an old bathtub, arms outstretched.
âFelina?â
âI guess,â she said.
*Â Â Â *Â Â Â *
When I got back to the Hotel del Toros, I had two and a half hours of tape in my recorder. I also had a message from Jocelyn. She could barely control the smugness in her voice when I told her about the afternoon.
âDonât crow,â I told her.
âSo what did she tell you?â
âSome interesting stuff about Vernon Ash. They shared clients. Quite a team. He supplied the drugs and she supplied theâyou know.â
âWhat about Betty Bradford Mann? We need some juicy bits on her, Peaches, but nothing litigable.â
âNot a lot yet. Felina never met her. She said that back then Dick was in a career lull. He hadnât had a good part in five years. Mann of the Family didnât come along for another year or two. Betty was the TV star. Felina says they were separated thenââ
âDick and Betty Mann were separated? I didnât know that.â
âNot physically. They were still living in the same house, but they werenât sleeping together. Or so she