drawer number, I donât know why. Sometimes you remember little details like that years later. It was drawer 66, like in âget your kicks on Route 66.â
âSo Buzzy hauls him out, gets behind him, and ⦠ah, you sure you want to hear this?â
âYes. Absolutely. Please go on.â
âHe works him like a marionette.â
âHoly shit,â Clint whispered. He resisted the urge to check the cassette machine again.
âThis guy stank. I donât know how Buzzy did it. He was a trouper, or one sick puppy. Probably a little of both. He had to work like hell to get the guy to bend. Rigor mortis, you know. It was positively ghastly, if I do say so myself.â
Landis smiled again. Thin, dry lips parted, revealing stained teeth. Pale, receding gums flashed. It was the smile of a very old and sick predator.
âI could light my cigar, you know. The smoke keeps âem away.â
âWhat?â Clint asked.
âThe bats.â
âThe bats?â
âYeah, they canât stand the smoke, it makes âem keep their distance. Should I light up?â
Clint nodded.
Landis chuckled, another first. âWorks every time,â he smirked, his lungs rattling, âSo, where was I? Oh yeah. Kingston balked. I canât say that I blame him. He threatened to walk out on the whole production, said he had âstandards.â Ha!, thatâs a laugh. I wound up offering him more money.â
âHow much?â
âChump change,â the old man said with obvious disgust. âThat turkey would do anything for money. Believe me, I know.â
âHe did it?â
âDamn right he did it. In one take. Kingston should have gotten the Academy Award for that, except that he wasnât acting. He was scared shitless. The guy looked great on filmâthe dead guy, not Kingston. He wound up being the star of the picture. We used him in at least twenty shots, and he never complained.â
Landis paused, waiting for a laugh, then continued. âWe even used a few of his dead buddies. Easiest bunch I ever worked with. Real pros. They worked cheap, too.â
Clintâs jaw dropped. Never in his wildest dreams did he think he would get all this. But there it was, immortalized on tape. Did the old man tell the truth? Could this be just another one of his scare tactics?
âAre you serious?â Clint asked.
âAs a heart attack,â Woodley replied. He edged forward on his seat.
âI go in for a close-up. Chet Bronski is the cameraman, a prince, and heâs pulling in just as Buzzy thumbs one of the eyes open. Iâll tell ya, we all shuddered to see what was gonna happen. The camera zooms in and â¦â He paused. â⦠and itâs full of worms.â
Landis flopped back in his lounger again. He raised his glass to his lips, then stopped, leveling his gaze into Clintâs face.
âThat shot made the movie,â he said, then swallowed the last of the whiskey.
âWorms?â Clint whispered.
âYeah, squirming like amoebas. They started coming out, right on cue, and I held that close-up for at least sixty seconds. Onscreen, it seemed like a half an hour. People in the theaters shrank down in their seats and gasped. Christ, what a moment! I was at the Royal Theater in Anaheim for the premier. In those days you always opened out of town, and people started screaming. Some lady barfed. It was my crowning achievement on film. I scared the shit out of âem.â
He put the glass down and tapped his knee.
âThatâs my business, scaring people.
âThat poor son of a bitch was a movie star after he was dead. Can you believe that?â
Clint shook his head.
âI guess you could say people were dying to get in my flicks,â the old man rasped, more coughing laughter spraying from his mouth.
Landis Woodleyâs eyes glimmered. Pigâs eyes, Clint thought. Cruel and tiny, they were