of the wand in my left hand, and as the jolt of magick deadened the arm, I pulled him forward. Storming at my command, the Chorus filled the muscles of my right hand as I reached for his wrist. His expression changed as my magick grip compressed the joint. I squeezed and twisted, breaking a few bones, and his grip faltered.
The spell flickered on his wand, and as it brushed my chest, all I felt was a light tingling on my skin. Clumsily, I swept at his legs with the dead weight of my own, and knocked him off balance. As he fell, Charles tried to catch himself with his bad hand—the instinctive reaction of the lizard brain—and he cried out as bone moved unnaturally in his wrist.
More importantly, he dropped the rod.
Falling onto my side, I reached for it, getting a finger on its handle. The Chorus bound the stick to me, and I poured my own magick into its shaft. Ignis .
Charles was bent over, cradling his wrist. Violet streamers were running along his shoulders and down his right arm. Armor magick. He didn't have time to rebuild the bones, but he could lock them into place so the injury wouldn't stop him. I cracked him on the cheekbone with the rod, and as he reared back, I drove the point into the base of his throat.
My spell was different, and he knew it as soon as the metal tip burned his flesh.
Gagging and flailing, he fell back against the edge of the bench seat behind him. I put as much pressure as I could manage against the rod, and he bent back along the bench, trying to get away from the smoldering tip of the metal wand.
Henri's spell split the light in the train car, fire splashing off the molded plastic and metal struts. The overhead lights exploded like tiny firecrackers, and the car was filled with smoke and flame. Charles was screaming and rolling, trying to put out the flames crawling all over his coat and head.
I lay still for a moment, still protected by the extended peacock tail of the Chorus. They had reacted before I had known the spell was coming, and as I struggled to sit up and pull myself toward the front of the car, I felt them extending the etheric nets. Harvesting energy from the chaotic spume of fire still howling around the car. I took in the light and heat of the fire, transformed it into a wind, and blew it out again. Fanning the flames, stirring the smoke.
The Chorus used the rest of the energy to break the deadening spell on my limbs. My arm and legs burned as the nerve endings woke up in a rush. I could stand, but barely, and working the heavy door between cars was almost more than I could do. I braced myself and, with one leg feeling like a piece of charred and smoldering oak and the other like a frozen steak, I heaved the door open. Gracelessly, I fell through the doorway, and stumbled against the outer door of the next car. When the door clicked shut behind me, I closed my eyes for a second and breathed air not tainted with the acrid taste of burned hair and melted plastic.
I could see the track racing by beneath my feet. The space between cars was a narrow platform, suspended inside an accordion of plastic and rubber. There were gaps and openings along the bottom, and I could see, in addition to the track, a variety of hoses and cables. There was probably an elegant way to separate the cars, but I didn't have time to figure it out. I had to keep moving. Fighting the neurological entropic lethargy that magick couldn't vanquish, I muscled the other door open and fell down in the next car. My numb leg—the one that felt like a burning piece of wood—didn't quite clear the threshold and the door banged against my ankle.
The Chorus swarmed again as Henri appeared in the window to the other car. His eyes blazed with violet light, and a storm of energy crackled and spat about his head. He had an open connection to the ley of the train track, and was marshaling energy as quickly as he could imagine his need. He blinked and the glass shattered in his door.
Pushing against the floor,