mother's face.
Clementine knew she looked like her mother. They had the same ash-fair hair and shadow-green eyes, the same air of porcelain fragility. A woman growing, a woman grown. She tried to see in the face of her mother the woman she was becoming. There were so many questions she wanted to ask of that woman. Why did you laugh when the doctor said you could have no more children? Have you ever wanted to stand at the window and lift your face to a man's to be kissed? Are there empty places inside you, yearnings you cannot name? She wanted to make photographs of her mother's face and study them for the answers.
"Miss Kennicutt, I believe your father grows impatient."
She left the camera to join her parents next to the potted palm. Aware now of the camera's eye, she kept herself apart from them. Even when Mr. Addison asked her to move in closer, she took care that no part of her person, not even her sleeve or the hem of her skirt, touched the man and woman who had given her life.
Mr. Addison fixed iron clamps behind their heads to assist them in holding still. He disappeared into a small closet, and a sharp, stinging smell like rubbing alcohol permeated the room. He emerged moments later, his movements rushed and jerky like a rabbit's. He carried a rectangular wooden box, which he slid into a slot in the camera. "Raise your chin, please, Mrs. Kennicutt. Er, Reverend, if you could give your vest a tug. Now, each of you draw in a deep breath and hold it, hold it, hold it... Miss Kennicutt, if I could coax from you a smile."
Clementine didn't smile. She wanted to memorize all that he was doing, to understand. Her deep, wide-spaced gaze went from the wondrous wooden box to the papier-mache props and painted screens. A growing excitement filled her until she felt that she was humming and crackling inside, like the new telephones that graced the lobby of the Tremont House hotel.
She was beginning to grasp, to know, what of life she wanted. And so it was that on that day over a year later when a cowboy from Montana knocked her down with his big-wheeled bicycle, Clementine Kennicutt was ready for him.
It would never have happened at all if a wheel hadn't come loose on her father's black brougham. It began to wobble when they turned onto Tremont Street, and soon the whole carriage was shuddering. Her father pulled over to let Clementine out. As they were only two blocks from the Tremont House, where she was to meet her mother and Aunt Etta for tea, Clementine was allowed to go on without him.
She walked slowly, savoring the glorious day. Shop awnings shielded the street from an unusually strong February sun, but the warmth of it was in the breeze and felt like milk against her skin. The strains of a waltz tinkled through the open doors of a pianoforte salesroom. She had to stiffen her back against a wild urge to go dancing down the sidewalk.
She paused before a milliner's window to stare with longing at a spring bonnet of white rice straw. A thick crimson plume flowed over the crown and was fastened onto one side with a plate buckle. A lady, Clementine knew, would have labeled the hat vulgar, but she loved it. It was like a peacock, flashy and gaudy, and it shouted to the world: "Look at me. I am beautiful!"
A delicious smell of chocolate and marshmallow wafted from the shop next door. She drifted down the street, following the smell, until she came face to face with a pyramid of candy. Sighing, she pressed her nose to the window glass. She was never given any money to spend on herself; otherwise she would have entered the shop and bought a dozen of the treats. She would have eaten each one slowly, licking the chocolate coating off first before biting into the gooey white center.
The frantic clatter of a trolley bell jangled through the air, followed by a scream and angry bellows. A silver flash caught her eye—the spokes of an enormous wheel weaving through the jam of traffic in the street.
She had seen a drawing once